“Ray Bradbury wanted to give you all the thrills and chills but also wanted to make you think, just a little, about the world we inhabit together.” Read a note from the creators, Joe Kinosian (Book & Music) and Kellen Blair (Book & Lyrics).
Book and Music by Joe Kinosian
Book and Lyrics by Kellen Blair
Based on the Universal Pictures film
Directed by Laura Braza
Upstairs at Chicago Shakespeare
It Came From Outer Space
Book and Music by Joe Kinosian
Book and Lyrics by Kellen Blair
Based on the Universal Pictures film
Directed by Laura Braza
Upstairs at Chicago Shakespeare
Run Time: 90 minutes (no intermission)
Additional Sponsors:
Ruth D. and Ken M. Davee New Works and Education Outreach Fund
“A Brilliant Musical Comedy With All The Ingredients of an Off‑Broadway Smash Hit.”
–Northwest Herald
Audiences and critics alike are over the moon for this new musical comedy adapted from the ‘50s cult classic sci-fi film from Universal Pictures. Amateur astronomer John Putnam encounters an alien spaceship in the desert and becomes the laughingstock of his small town—until the extraterrestrial visitors make their presence known and chaos ensues. A clever musical score and creative physical humor puts a new spin on Ray Bradbury’s flying saucer tale, examining society’s fear of outsiders as it simultaneously embraces the wonder of what lies just beyond the stars.
Additional Sponsors:
Ruth D. and Ken M. Davee New Works and Education Outreach Fund
JUL 24 Audio Description
JUL 20 Open Captioning
Run Time: 90 minutes (no intermission)
JUL 24 Audio Description
JUL 20 Open Captioning
JUL 24 Audio Description
JUL 20 Open Captioning
“This Zany New Musical Is Irresistible.”
–WTTW
“Jokes fly from the get‑go.”
–Chicago Tribune
“Endlessly charming.”
–Broadway World
“Endlessly charming.”
–Broadway World
Video: Trailer
Gallery: On Stage
Video: Pre•Amble
Video: Trailer
Gallery: On Stage
Video: Pre•Amble
Cast & Creative Team
Jonathan Butler-Duplessis
CHICAGO SHAKESPEARE: It Came From Outer Space (Jeff Award nomination), A Midsummer Night’s Dream, Peter Pan – A Musical Adventure. CHICAGO: The Music Man (Goodman Theatre); Something Rotten!, Ragtime, Sister Act (Marriott Theatre); Parade (Jeff Award – Actor in a Supporting Role) (Writers Theatre); The Little Mermaid, In the Heights, The Who’s Tommy (Paramount Theatre); The 25th Annual Putnam County Spelling Bee (Drury Lane Theatre). REGIONAL: Big River (Theatre at the Center); The Merchant of Venice, As You Like It (Riverside Theatre); Ma Rainey’s Black Bottom (Actors Theatre of Louisville); Dreamgirls, The Color Purple (Milwaukee Repertory Theatre); From My Hometown (Molloy Theatre) TELEVISON: Empire (Fox); Chicago Med (NBC); Chicago Fire (NBC). EDUCATION: BFA in acting, University of Illinois.
Ann Delaney
CHICAGO SHAKESPEARE: Debut. CHICAGO: A Gentleman’s Guide to Love and Murder (Porchlight Music Theatre); Love Actually? The Unauthorized Musical Parody, Bachelor: The Unauthorized Parody Musical (Apollo Theater Chicago); Newsies (Paramount Theatre), Buddy: The Buddy Holly Story (American Blues Theater); Hatfield & McCoy (The House Theatre of Chicago); All Our Tragic (The Hypocrites); Cabaret, Big Fish, Irving Berlin’s White Christmas (Theatre at the Center). REGIONAL: Skylight Music Theatre, Parallel 45 Theatre. TELEVISION: Chicago Fire (NBC); 4400 (CW). EDUCATION: BFA in musical theatre, Columbia College Chicago.
Alex Goodrich
CHICAGO SHAKESPEARE: It Came From Outer Space, Hamlet, Love’s Labor’s Lost, The Emperor’s New Clothes, A Midsummer Night’s Dream, Seussical, The Taming of the Shrew, Disney’s Aladdin, How Can You Run with a Shell on Your Back?. CHICAGO: The Mousetrap, Photograph 51, The Comedy of Errors, One Man Two Guvnors (Court Theatre); Miss Bennet: Christmas at Pemberley, Shining Lives, Civil War Christmas, She Stoops to Conquer (Northlight Theatre); Hero: the Musical (Joseph Jefferson Award–Best Supporting Actor in a Musical), Something Rotten!, She Loves Me, How to Succeed in Business Without Really Trying, Elf: the Musical, On the Town, For the Boys (Marriott Theatre); Old Jews Telling Jokes (Royal George Theatre); Everything Is Illuminated (Next Theatre); A Midsummer Night’s Dream (Indiana Repertory Theatre). TELEVISION: Chicago Fire (NBC); Shining Girls (Apple TV+).
Sharriese Y. Hamilton
CHICAGO SHAKESPEARE: Pericles. CHICAGO: Wonderful Town (Goodman Theatre); Nelle in Thaddeus and Slocum (Lookingglass Theatre Company); Lady Eugenia in A Gentleman’s Guide to Love and Murder, Smitty in How to Succeed in Business Without Really Trying, Gladys in Pal Joey, Ain’t Misbehavin (Porchlight Music Theatre); Mariana/Sudabey in Passing Strange, Kesa/Medium in See What I Wanna See, Kate in The Wild Party (Bailiwick Chicago); Doralee in 9 to 5 (Firebrand Theatre). REGIONAL: Hanna in Come from Away (US Tour), Rona Lisa Peretti in The 25th Annual Putnam County Spelling Bee, Lady of the Lake in Monty Python’s Spamalot, Working (Timberlake Playhouse). INTERNATIONAL: Hanna in Come from Away (Australian Tour). TELEVISION: Chicago Fire (NBC); Empire (FOX). EDUCATION: BA in theatre, Michigan State University.
Christopher Kale Jones
CHICAGO SHAKESPEARE: John Putnam in the premiere of It Came From Outer Space, Mustardseed in A Midsummer Night’s Dream, Judah in Joseph and the Amazing Technicolor Dreamcoat. CHICAGO: The Ballad of Little Jo (Steppenwolf Theatre Company); The Music Man (Goodman Theatre); Little Shop of Horrors (The Mercury Theater); Miracle on 34th Street (Theatre at the Center); Damn Yankees, Big Fish, and numerous other shows (Marriott Theatre). REGIONAL: La Jolla Playhouse, North Shore Music Theater, Ford’s Theatre. TOUR: Frankie Valli in the 1st National Tour of Jersey Boys. TELEVISION: Chicago Med (NBC), numerous commercials. EDUCATION: BS in speech/theatre, Northwestern University. AWARDS: LA Area Theater Ovation, numerous nominations. @chriskalejones
Jaye Ladymore
CHICAGO SHAKESPEARE: We Are Out There, Lady Macduff in Macbeth, Maria in Love’s Labor’s Lost. CHICAGO: Relentless, Too Heavy for Your Pocket (TimeLine Theatre Company); We Are Proud to Present… (Steppenwolf Theatre Company); The Importance of Being Earnest (Writers Theatre); Miss Bennet: Christmas at Pemberley, The Wickhams (Northlight Theatre). REGIONAL: The African Company Presents Richard III, Arcadia, An Ideal Husband (American Players Theatre); Good People, A Christmas Carol, Dreamgirls, The Color Purple (Milwaukee Repertory Theater). TELEVISION: 4400 (CW), Empire (Fox), The Chi (Show Time), Chicago PD (NBC) EDUCATION: BA in theatre, ABJ in mass media arts, University of Georgia, emerging professional resident in Milwaukee Repertory Theater’s Acting Residency, 2014–2015. AWARDS: 2019 Black Theater Alliance Award for Best Feature Actress in a Play.
Andrés Enriquez
CHICAGO SHAKESPEARE: It Came From Outer Space. CHICAGO: Somewhere Over the Border (Teatro Vista); The Secret Council (First Folio Theatre); Middle Passage (Lifeline Theatre); The Killing Game (A Red Orchid Theatre); A Gentleman’s Guide to Love and Murder (Porchlight Music Theatre — Jeff Award nomination: Actor in a Principal Role), My Way: A Musical Tribute to Frank Sinatra (Theatre at the Center). REGIONAL: It Came From Outer Space (TheatreSquared); Montana Shakespeare in the Parks, Birmingham Children’s Theatre, Colonial Williamsburg, Shawnee Theatre, Iowa Repertory. TELEVISION: Chicago PD (NBC). EDUCATION: MFA, University of Iowa. ADDITIONAL CREDITS: artistic ensemble, Lifeline Theatre.
Ciara Hickey
CHICAGO SHAKESPEARE: Debut. CHICAGO: Groundhog Day (Paramount Theatre). TELEVISION: Paper Girls (Amazon). EDUCATION: BFA in musical theatre, Roosevelt University.
Ryan Stajmiger
CHICAGO SHAKESPEARE: Nell Gwynn, Peter Pan – A Musical Adventure. CHICAGO: Company, The Christmas Schooner, The Producers, Little Shop of Horrors (The Mercury Theater); Bye Bye Birdie, Peter and the Starcatcher, A Christmas Carol (Drury Lane Theatre); Into the Woods (Metropolis Performing Arts Centre); The Producers, Spamalot (NightBlue Performing Arts Company); Reefer Madness (Circle Theatre). REGIONAL: Into the Woods, Violet, Sweeney Todd, Spelling Bee (Skylight Music Theatre); Dirty Rotten Scoundrels (Palace Theatre).
Tiffany T. Taylor
CHICAGO SHAKESPEARE: Debut. CHICAGO: Spring Awakening (Porchlight Music Theatre), Cinderella (Paramount Theatre), Grease (Marriott Theatre), Christmas Mubarak (Silk Road Rising), Head Over Heels (Kokandy Productions). FILM: Let Go (Watercolour LLC.), 1 Up (Lionsgate/Buzzfeed). EDUCATION: BFA in musical theatre, Chicago College of Performing Arts at Roosevelt University.
Kevin Reeks
Assistant Music Director
Kevin Reeks
Assistant Music Director
Joe Kinosian
CHICAGO SHAKESPEARE: Murder for Two (Jeff Award – Best New Musical; Jeff Nomination – Best Leading Actor in a Musical). OFF BROADWAY: Murder for Two (Drama Desk, Drama League, Outer Critics Circle Award nominations). REGIONAL: The Old Globe, Arizona Theatre Company, Pittsburgh Civic Light Opera, Milwaukee Repertory Theater, Denver Center for the Performing Arts, Bucks County Playhouse. INTERNATIONAL: Murder for Two (Japan, Korea, China, England, Argentina, Brazil, Chile, Poland). EDUCATION: Milwaukee High School of the Arts, BMI Lehman Engel Musical Theatre Workshop. AWARDS: ASCAP Foundation Mary Rodgers/Lorenz Hart Award. IN DEVELOPMENT: One-Man Titanic (composer/solo performer, Bay Street Theater, Arizona Theatre Company); Untitled Kristin Chenoweth Musical.
Kellen Blair
CHICAGO SHAKESPEARE: Murder for Two (Jeff Award – Best New Musical). OFF BROADWAY: Murder for Two (Drama Desk, Drama League, Outer Critics Circle Award nominations). REGIONAL: Murder for Two (The Old Globe, 5th Avenue Theater, Arizona Theatre Company); Just Between the All of Us (Bloomington Playwrights Project); Scrooge in Love (42nd Street Moon). INTERNATIONAL: Murder for Two (Japan, Korea, China, England, Argentina, Brazil, Chile, Poland). EDUCATION: BFA in film production, Chapman University; BMI Lehman Engel Musical Theatre Workshop. AWARDS: ASCAP Foundation Mary Rodgers/Lorenz Hart Award; Reva Shiner Comedy Award. IN DEVELOPMENT: One-Man Titanic (Bay Street Theater, Arizona Theatre Company); Untitled Kristin Chenoweth Musical.
Laura Braza
CHICAGO SHAKESPEARE: We Are Out There. REGIONAL: Steel Magnolias, Grounded, Souvenir, Always… Patsy Cline, American premiere of Songs for Nobodies, Two Pianos Four Hands (Milwaukee Repertory Theater); The Dispute, If You Give a Pig a Pancake (Hangar Theatre); Theophilus North (Dog Days Theatre with FSU/ Asolo Rep) Moonchildren, Dark Rapture, Wonderful World, world premiere of This One Time In Last Chance, The Time of Your Life, The Tutors, The Notebook of Trigorin, Strictly Dishonorable, the dreamer examines his pillow, On the Verge, or the Geography of Yearning, and the world premiere of Jericho (The Attic Theater Company); world premieres of Friend of the Devil, If I Were You (Clurman Theatre); work at New York Musical Theatre Festival, FringeNYC, Dixon Place, Atlantic Theater Company Stage II, among others. EDUCATION: Drama League Directors Project Alumnus. Braza has worked extensively as a guest director and teaching artist for University of North Carolina School of the Arts and New York University Stella Adler Studio of Acting. She was artistic director of Attic Theater Company 2009–2019 and currently is associate artistic director of Milwaukee Repertory Theater.
Dell Howlett
CHICAGO SHAKESPEARE: Debut. REGIONAL: Toni Stone (Alliance Theatre, Milwaukee Repertory Theater); Rodgers and Hammerstein’s Cinderella (Alabama Shakespeare Festival); Guys and Dolls, The Wiz (Ford’s Theater); Paradise Square (associate choreographer to Bill T. Jones, Berkeley Repertory Theater); Guys and Dolls (Guthrie Theater); WigOut (Studio Theatre); The C.A. Lyons Project (Alliance Theater); The Legend of Georgia McBride (Marin Theatre Company); YoungArts Presidential Scholars Show (Kennedy Center for Performing Arts); A Connecticut Yankee in King Arthur’s Court (The Acting Company, Tour); Broadway Inspirational Voices (Foxwoods Theater); Is Anybody Listening? (Sheen Center). AWARDS: Suzi Bass Award, Helen Hayes Award, San Francisco Bay Area Theater Critic’s Circle Awards. Howlett is Associate Professor/Co-Head of Dance for New Studio on Broadway at Tisch School of the Arts, New York University.
Tom Vendafreddo
CHICAGO SHAKESPEARE: Road Show, Shrek the Musical, Madagascar. CHICAGO: Sweeney Todd (Jeff Award – Music Direction), The Producers, Once, Cabaret, Jesus Christ Superstar, The Little Mermaid, Mamma Mia!, West Side Story, Hairspray, A Christmas Story, Oklahoma!, Les Misérables, The Who’s Tommy, Mary Poppins, In the Heights, among others (Paramount Theatre); On the Town, Godspell, Pinocchio (Marriott Theatre); Company, Sweet Charity (Writers Theatre); A Little Night Music, Spitfire Grill (Bohemian Theatre Ensemble). NATIONAL TOURS: Mean Girls, Les Misérables. REGIONAL: Billy Elliott (Signature Theatre); Odyssey (The Old Globe); Murder for Two, In the Heights (Oscar Wilde Award – Music Direction), Shout (Mason Street Warehouse); The Who’s Tommy (Music Theatre Heritage); Rent (San Diego Musical Theatre); The Wedding Singer (Red Mountain Theatre Company); The 25th Annual County Spelling Bee (Capital City Theatre). EDUCATION: BM, Eastman School of Music, MFA, San Diego State University. AWARDS: 2020 Illinois Theatre Association Award of Excellence in Professional Theatre.
Scott Davis
CHICAGO SHAKESPEARE: over twenty productions, including Romeo and Juliet, The Wizard of Oz, Hamlet, Q Brothers Christmas Carol, Red Velvet, Madagascar, Shakespeare in Love, The Book of Joseph, King Charles III, Tug of War: Foreign Fire and Civil Strife, Ride the Cyclone, The Little Mermaid, Pericles, Road Show, Shrek the Musical, Othello: The Remix (CST/ international tour), Cadre (CST/tour to South Africa, Edinburgh, Vancouver), Beauty and the Beast, Murder for Two; Short Shakespeare! productions of Twelfth Night, A Midsummer Night’s Dream, Romeo and Juliet, Macbeth. PRODUCTION DESIGNER: Disney on Ice: Road Trip Adventures. CHICAGO: Court Theatre, Paramount Theatre, Steppenwolf Garage, Drury Lane Theatre, Marriott Theatre, Northlight Theatre, Windy City Playhouse. OFF BROADWAY: Ride the Cyclone (MCC Theater), Othello: The Remix (Westside Theatre). REGIONAL: Signature Theatre, Children’s Theatre Company, Utah Shakespeare Festival, Milwaukee Repertory Theater, Asolo Repertory Theatre, Walnut Street Theatre. TELEVISION: concept artist for Gossip Girl (HBOMax) and The Watcher (Netflix); set designer/concept artist for Gilded Age Season 2 (HBOMax); art consultant for American Horror Story (FX). www.scottadamdavis.com
Mieka Van Der Ploeg
CHICAGO SHAKESPEARE: Romeo and Juliet, Short Shakespeare! productions of Macbeth, Romeo and Juliet, Chicago Shakespeare in the Parks productions of A Midsummer Night’s Dream, Romeo and Juliet, and CPS Shakespeare: Macbeth. CHICAGO: Goodman Theatre, Steppenwolf Theatre Company, Court Theatre, Writers Theatre, Lyric Opera Unlimited, Lookingglass Theatre Company, Paramount Theatre, Marriott Theatre, Remy Bumppo Theatre Company, The Second City, Redmoon, The Hypocrites, Chicago Children’s Theatre, About Face Theatre, Steep Theatre Company, Theater Wit, Albany Park Theater Project, Manual Cinema. REGIONAL: Milwaukee Repertory Theater, American Players Theatre, Children’s Theatre of Charlotte, Public Theater’s Under the Radar Festival. AWARDS: 2020 Joseph Jefferson Award First Love is the Revolution (Steep Theatre Company). She is a member of USA829.
Heather Sparling
CHICAGO SHAKESPEARE: Debut. CHICAGO: The Fly Honey Show 6-10 (The Inconvenience); I Am Not Your Perfect Mexican Daughter, We Are Proud to Present a Presentation About the Herero of Namibia Formerly Known as South West Africa from the German Sudwestafrika Between the Years 1884-1915, The Burn (Steppenwolf Theatre Company); Tasters, Laura and the Sea, Scientific Method (Rivendell Theatre Ensemble); In Every Generation, If I Forget (Victory Gardens Theater); La Havana Madrid (Teatro Vista); First Love is the Revolution (Steep Theatre Company); Longer! Louder! Wagner!, See Jane Sing! (Lyric Opera of Chicago). REGIONAL: Labapalooza 2011-2018, The Interminable Suicide of Gregory Church (St. Ann’s Warehouse); The Pigeoning (HERE Arts Center); Twelfth Night, The Heart of Robin Hood (Door Shakespeare); A Christmas Carol, Little Women the Musical (Thingamajig Theatre Company). EDUCATION: BFA in lighting design, Boston University. www.sparlingdesigns.com.
Nicholas Pope
CHICAGO SHAKESPEARE: It Came From Outer Space. BROADWAY: Natasha, Pierre & the Great Comet of 1812. OFF BROADWAY: Hundred Days (New York Theatre Workshop); In the Green (Lincoln Center); Outer Space (Public Theater); King Lear (Theater for a New Audience). REGIONAL: A Gentleman’s Guide to Love & Murder, The Visit, Father Comes Home From the Wars. INTERNATIONAL: The Gift of Angels (Universal Studios, Osaka, Japan). EDUCATION: Yale School of Drama. AWARDS: 2017 Drama Desk Award, Outstanding Sound Design of a Musical (Natasha, Pierre & the Great Comet of 1812), 2020 Lucille Lortel Award nomination, Outstanding Sound Design (In the Green). Pope currently serves as CST’s Interim Sound Supervisor.
Rasean Davonté Johnson
CHICAGO SHAKESPEARE: It Came From Outer Space. CHICAGO: The Brothers Size, The Great Leap, Ms. Blakk for President, La Ruta, The Burn,You Got Older, BLKS (Steppenwolf Theatre Company); Frankenstein, Lula Del Ray, Fjords (Manual Cinema); Her Honor Jane Byrne (Lookingglass Theatre); Fannie (Goodman Theatre). OFF BROADWAY: The Public Theatre, The Sheen Center. REGIONAL: Yale Repertory Theatre, Long Wharf Theatre, Oregon Shakespeare Festival, Geva Theatre Center, McCarter Theatre Center, Woolly Mammoth Theatre, Alliance Theatre, Seattle Rep. INTERNATIONAL: Farewell My Concubine (Ningbo Song and Dance Theatre); Damage Joy (BFloor Theatre). OPERA: The Central Park Five (Portland Opera); Freedom Ride (Chicago OperaTheatre); Die Kathrin (Chicago Folks Operetta); Blue (Toledo Opera); La Cenerentola (Yale Opera); Cunning Little Vixen (Opera Theatre at Yale College). EDUCATION: MFA in stage design, Yale University School of Drama. AWARDS: Joseph Jefferson Award, Michael Maggio Emerging Designer Award, Robert L. Tobin Director-Designer Showcase. Johnson is an adjunct at Columbia College Chicago.
Michael Salvatore Commendatore
CHICAGO SHAKESPEARE: Debut. CHICAGO: When Harry Met Rehab (Greenhouse Theater Center); Let’s Explore! (Chicago Symphony Orchestra); Oresteia (Watts Theatre); Knuffle Bunny: A Cautionary Musical (Emerald City Theatre); Oh! Colonizers, Encounter Series (Collaboraction); Little Red Cyrano (Strawdog Theatre Company) REGIONAL: Spoleto Festival USA, Public Theater, Portland Stage, Music Theatre Wichita, Boston Lyric Opera, Le Petit Theatre, The Rose Nagelberg Theatre, Vancouver Fringe Festival, Yale Repertory Theatre, The Gamm Theatre, The Wilbury Theatre Group. EDUCATION: MFA in design, Yale School of Drama. MichaelCommendatore.com
Macy Schmidt
CHICAGO SHAKESPEARE: Debut. BROADWAY: Tina – The Tina Turner Musical, Disney’s Aida. OFF BROADWAY: Chelsea Clinton’s She Persisted. INTERNATIONAL: Beauty and the Beast (UK Tour). DIGITAL: Ratatouille: The TikTok Musical. UPCOMING: Broadway-bound musical Kimberly Akimbo. AWARDS: Forbes 30 Under 30 in Music (2022) for her work as founder and CEO of The Broadway Sinfonietta. Schmidt is an orchestrator, creative music director for pop and Broadway stars, executive producer for TV/Media, and entrepreneur. A first-generation Egyptian American and a passionate advocate for women in entertainment, she is represented by ICM Partners. macyschmidtmusic.com
Manual Cinema
Manual Cinema is a performance collective that creates shadowplay, handmade paper puppetry, and immersive sound and music design for stage and screen. Since 2010, Manual Cinema’s original theatrical productions have toured around the world to six continents. Their design work has been featured in productions with the New York Times, LA Opera, Poetry Foundation, Chicago History Museum, Royal Opera of Belgium, among others. Most recently, Manual Cinema contributed shadow puppetry sequences to the feature film Candyman (MGM/Universal).
Amy Herzberg
CHICAGO SHAKESPEARE: Debut. REGIONAL: directing credits include Next to Normal, Shakespeare in Love, Once, Fun Home, Great Expectations, One Man, Two Guvnors, Amadeus, Good People, The Last Five Years, Bad Dates. Acting credits include Hamlet; Rapture, Blister, Burn; The Spiritualist; My Father’s War (TheatreSquared); La Jolla Playhouse, San Diego Repertory Theatre, New Dramatists, George Street Playhouse, Alabama Shakespeare Festival, Stages Repertory Theatre, New Harmony Project. INTERNATIONAL: English Theatre Berlin, Cambridge University, Valle Christi International Theatre Festival. EDUCATION: MFA in acting, California Institute of the Arts, American Conservatory Theater, The Actors Center. AWARDS: American Theatre Wing top ten emerging theaters (TheatreSquared), Governor’s Arts Award. Herzberg is Co-founder/Associate Artistic Director of TheatreSquared; Co-Executive Director; National Alliance of Acting Teachers, Distinguished Professor of Theatre, Head of MFA Acting, University of Arkansas.
Grace Dolezal-Ng
CHICAGO SHAKESPEARE: Debut. CHICAGO: assistant director of Athena (Writers Theatre); Roe (Goodman Theatre). REGIONAL: assistant director of The Great Leap (Asolo Repertory Theatre). OTHER CREDITS: director of Death for Sydney Black (Independent Virtual Production), Despierta! A New Musical (Lime Arts Productions); Contra Costa Civic Theatre, Dragon Productions, 2nd Story Chicago. Dolezal-Ng is a 2022 Director’s Inclusion Initiative Fellow with Victory Gardens Theater, and a Herb Alpert Emerging Young Artist. www.gracedn.com
Sarah Scanlon
CHICAGO SHAKESPEARE: It Came From Outer Space, All’s Well That Ends Well, As You Like It. CHICAGO: Selected credits include Zurich (Steep Theatre); Djembe! The Show (Apollo Theatre Chicago); I Know My Own Heart, Southern Comfort (Pride Films & Plays); Between Riverside and Crazy (Redtwist Theatre); Head Over Heels (Kokandy Productions); Mad Beat Hip & Gone (Promethean Theatre Ensemble); The Rover (DePaul University); Legally Blonde (Northwestern University); Neither (Lifeline Theatre). REGIONAL: As You Like It (Milwaukee Repertory Theater). TELEVISION: Ripple Effects (Apple+); Somebody Somewhere (HBO); The Chi (Showtime); Finesse (VAM Studios); Fargo (FX); Damaged Goods (VAM Studios). EDUCATION: MFA in acting, American Repertory Theatre/Moscow Art Theatre School; Intimacy for the Stage Instructor: Oregon Shakespeare Festival, The Raleigh Little Theatre. Scanlon is a certified Intimacy Director and Coordinator with IDC Professionals and Intimacy Directors International.
Wesley Truman Daniel
CHICAGO SHAKESPEARE: Pericles, Short Shakespeare! productions of The Comedy of Errors, A Midsummer Night’s Dream, Timon of Athens; Chicago Shakespeare in the Parks productions of A Midsummer Night’s Dream, The Comedy of Errors. CHICAGO: understudy at Goodman Theatre; four collaborative shows with Lookingglass Theatre Company and the Chicago Symphony Orchestra. TELEVISION: The Red Line (CBS); Chicago Med (NBC); Patriot (Amazon Video); Shop Like a Boss (K-Mart commercial). Wesley is certified in advanced combat through FDC, was the stunt coordinator for the film Second Samuel, and has directed fights for both Lookingglass Theatre Company and Chicago Shakespeare.
Bob Mason
Mason celebrates his twenty-third year at CST as Artistic Associate/Casting Director, where his credits include over 150 productions and programs and thirty-five plays in Shakespeare’s canon. In addition to numerous productions with Chicago Shakespeare founder Barbara Gaines, other productions of note include: a host of Sondheim musicals (Follies, Sunday in the Park with George, A Little Night Music, Passion, Road Show, Gypsy, directed by Gary Griffin); SIX (CST, Broadway, A.R.T., Ordway Center, the Citadel); Ride the Cyclone directed by Rachel Rockwell (CST, off Broadway at MCC Theater, Fifth Avenue Theatre/American Conservatory Theater, Alliance Theatre); Rose Rage: Henry VI, Parts 1, 2 and 3, directed by Edward Hall (CST, The Duke on 42nd Street). He also directed and co-created Shakespeare Tonight with Beckie Menzie, as part of CST’s Shakespeare 400 Festival. Prior to casting, Mason enjoyed a career as a Joseph Jefferson Award-winning actor and singer and has been a visiting educator for Northwestern University, the School at Steppenwolf, the Guthrie Theater BFA program, Acting Studio Chicago, DePaul, Columbia, Roosevelt University, and multiple university programs across the country.
Jinni Pike
CHICAGO SHAKESPEARE: Judgment Day, Measure for Measure, It Came From Outer Space, The King’s Speech, SIX, Schiller’s Mary Stuart, Ride the Cyclone. CHICAGO: Billy Elliot, Little Shop of Horrors, Into the Woods, Sweat, Kinky Boots, Beauty and the Beast, The Producers, The Wizard of Oz, Once, Elf the Musical, Sweeney Todd, The Little Mermaid, Hairspray, The Who’s Tommy (Paramount Theatre); Nightwatch (Goodman Theatre); Bakersfield Mist, Danny Casolaro Died for You, The How and the Why, A Raisin in the Sun, Wasteland (TimeLine Theatre Company); Hillary and Clinton (Victory Gardens Theater). REGIONAL: Heart of America Shakespeare Festival, Unicorn Theatre, Kansas City Repertory Theatre.
Kate Ocker
CHICAGO SHAKESPEARE: As You Like It, All’s Well That Ends Well. CHICAGO: An Iliad, The Adventures of Augie March, Iphigenia in Aulis (Court Theatre); Mansfield Park (Northlight Theatre); Elf (Paramount Theatre); BUDDY – The Buddy Holly Story, Six Corners, The Spitfire Grill (American Blues Theater); The Notebooks of Leonardo da Vinci, The Magic Play, Twist Your Dickens, Uncle Vanya, King of the Yees (Goodman Theatre). REGIONAL: Milwaukee Repertory Theater, Asolo Repertory Theatre, Great River Shakespeare Festival, Resident Ensemble Players, Lyric Theatre of Oklahoma, Oklahoma City Ballet.
Additional Sponsors:
Ruth D. and Ken M. Davee New Works and Education Outreach Fund