Pre•Ambles are half-hour, weekend pre‑performance talks. Join scholars Stephen Bennett and Regina Buccola as they each examine the play & interpretive choices made by the creative team.
Written by William Shakespeare
Adapted & Directed by
Barbara Gaines
Studio scenes by Ron West
Courtyard Theater
The Comedy of Errors
Written by William Shakespeare
Adapted & Directed by
Barbara Gaines
Studio scenes by Ron West
Courtyard Theater
Run Time: 2 hours, 40 minutes (including intermission)
“A love letter to theatricals”
–Chicago Sun-Times
Shakespeare’s high-spirited farce is transported to the Golden Age of film! Backstage drama and slapstick antics abound as an eccentric group of stage and screen actors gather on a London soundstage in 1940 to film some much-needed comic relief for the troops. Two pairs of long-lost twins end up in the same small town. Mistaken identities and misadventures turn everyone’s lives upside down—and one bewildering day on the streets of Ephesus turns into a hilarious night out at the Theater. In her final production as artistic director, Barbara Gaines reunites with longtime collaborator and writer Ron West of Second City fame. Over three decades with Chicago Shakespeare Theater, Gaines has directed sixty productions, including nearly all of Shakespeare’s thirty-eight plays and six world premieres—and now imprints her legacy with this joyful comedy.
Additional Sponsors
Timothy R. Schwertfeger and Gail Waller
APR 2 Audio Description
described by Jason Harrington
APR 11 Spanish Translation
captioned by c2
APR 12 Open Captioning
captioned by c2
APR 14 ASL Interpretation
Run Time: 2 hours, 40 minutes (including intermission)
APR 2 Audio Description
described by Jason Harrington
APR 11 Spanish Translation
captioned by c2
APR 12 Open Captioning
captioned by c2
APR 14 ASL Interpretation
APR 2 Audio Description
described by Jason Harrington
APR 11 Spanish Translation
captioned by c2
APR 12 Open Captioning
captioned by c2
APR 14 ASL Interpretation
“A BLAST! Very apropos of Gaines’ magnificent contribution to this city.”
–Chicago Tribune
“An ALL-STAR CAST having the time of their lives”
–Daily Herald
“Thoroughly captivating… enjoy and cherish each moment!”
–Chicago Sun-Times
Video: Trailer
Gallery: On Stage
Video: Trailer
Gallery: On Stage
Brian Hallifax plays Dromio of Ephesus (Kevin Gudahl) with help from Monty (Bruce A. Young), while director Dudley Marsh (Ross Lehman) and Priscilla (Maya Vinice Prentiss) look on. Photo by Liz Lauren.
Long-lost twins Dromio of Syracuse (Ross Lehman) and Dromio of Ephesus (Kevin Gudahl). Photo by Liz Lauren.
Antipholus of Syracuse (Robert Petkoff) is seduced by Adriana (Susan Moniz). Photo by Liz Lauren.
In 1940 London, Alice Boggs (Melanie Brezill) and Fanny (Adia Bell) sing to boost morale for the troops. Photo by Liz Lauren.
Luciana (Melanie Brezill) and Antipholus of Syracuse (Robert Petkoff). Photo by Liz Lauren.
Adriana (Susan Moniz) expresses her displeasure with Dromio of Ephesus (Kevin Gudahl). Photo by Liz Lauren.
At center, the Abbess (Ora Jones) reunites with her twins Antipholus of Syracuse (Robert Petkoff) and Antipholus of Ephesus (Dan Chameroy), as Luciana (Melanie Brezill), Duke Solinus (Bruce A. Young), Egeon (Greg Vinkler), and Adriana (Susan Moniz) look on. Photo by Liz Lauren.
Film director Dudley Marsh (Ross Lehman) surrounded by his cast and crew. Photo by Liz Lauren.
Admiral Philpot (Greg Vinkler). Photo by Liz Lauren.
The Second Merchant (William Dick), at center, duels with Antipholus of Syracuse (Robert Petkoff), assisted by an officer (Michael E. Martin). Photo by Liz Lauren.
Veronica Marsh (Susan Moniz) arrives on set. Photo by Liz Lauren.
Angelo (Breon Arzell) and Antipholus of Ephesus (Dan Chameroy). Photo by Liz Lauren.
Dudley Marsh (Ross Lehman) and Brian Hallifax (Kevin Gudahl). Photo by Liz Lauren.
Veronica Marsh (Susan Moniz) and Director of Photography David Pickles (Breon Arzell) prepare for a take, with Fanny (Adia Bell) and Alice Boggs (Melanie Brezill) in the background. Photo by Liz Lauren
Artists
Melanie Keller
Understudy
Melanie Keller
Understudy
Breon Arzell
CHICAGO SHAKESPEARE: DREAM – A Community Reimagining of A Midsummer Night’s Dream. CHICAGO: Little Shop of Horrors, Baskerville (Metropolis Performing Arts Centre); The Color Purple (Drury Lane Theatre); A Christmas Carol, Objects in the Mirror (Goodman Theatre); The Brothers Size (Steppenwolf Theatre Company). REGIONAL: Woolly Mammoth Theatre Company, Baltimore Center Stage. NATIONAL TOURS: Superman 2050, Murder on the Midwest Express (Theater Unspeakable, USA). INTERNATIONAL: The Comedy of Errors, Neighbors with Long Teeth, and more (White Horse Theatre, Germany); Alice in Wonderland, Peter Pan, and more (A.C.L.E. Theatrino, Italy). TELEVISION: South Side (Comedy Central); Chicago Med (NBC); Empire (FOX). EDUCATION: BA in theater, Miami University, Ohio. AWARDS: 6 Joseph Jefferson, 2 Black Theatre Alliance, New City 50 Players of Chicago 2018, 2020, 2023. Arzell is a teaching artist at Goodman Theatre.
Adia Bell
CHICAGO SHAKESPEARE: Shakesfest: A Chicago Shakespeare Community Cabaret. CHICAGO: Children of Eden (Broadway in Chicago at Cadillac Palace Theatre); Skates: A New Musical (Studebaker Theater); Groundhog Day, Cinderella (Paramount Theatre); Legends of the 50s and 60s: Greatest Hits (Music Theater Works); New Faces Sing Broadway 1979, Chicago Sings Rock & Roll Broadway (Porchlight Music Theatre); The Color Purple (Drury Lane Theatre). REGIONAL: The Wizard of Oz (Capital Repertory Theatre); The Music Man (Arizona Theatre Company). EDUCATION: BFA in musical theatre, The University of Arizona. @adia_bell she/her
Melanie Brezill
CHICAGO SHAKESPEARE: The Comedy of Errors, As You Like It, Seussical, Willy Wonka. CHICAGO: Stokely: The Unfinished Revolution, for colored girls who have considered suicide / when the rainbow is enuf, Man in the Ring, Caroline, or Change (Court Theatre); Beautiful, Buddy: The Buddy Holly Story (Marriott Theatre); The Comedy of Errors at Shepperton, Nina Simone: Four Women (Northlight Theatre); Little Shop of Horrors (Drury Lane Oakbrook Theatre); Crowns (Goodman Theatre); The MLK Project (Writers Theatre). BROADWAY/NATIONAL TOUR: The Book of Mormon, Harry Potter and the Cursed Child, Mamma Mia!. TELEVISION: Empire. FILM: Reporting for Christmas. Brezill is the creator of The Grandmother Project and Pearls & Pocketbooks series on YouTube.
Lillian Castillo
CHICAGO SHAKESPEARE: Short Shakespeare! The Comedy of Errors, The Taming of the Shrew, Ride the Cyclone, Seussical, Chicago Shakespeare in the Parks production of Shakespeare’s Greatest Hits. CHICAGO: In the Heights (Paramount Theatre); Hairspray, Sleeping Beauty, West Side Story (Drury Lane Theatre); Mamma Mia!, Sister Act, She Loves Me (Marriott Theatre); Wonderland, Alice’s Rock and Roll Adventure (Chicago Children’s Theatre); Rudolph the Red-Nosed Reindeer (Emerald City Theatre). OFF BROADWAY: Ride the Cyclone (MCC). REGIONAL: Why Do Fools Fall in Love (Milwaukee Repertory Theater); Hairspray (Phoenix Theatre); Hairspray, Glorious! (Arkansas Repertory Theatre); Macbeth, Fiddler on the Roof, Lend Me a Tenor: The Musical, School for Wives, The Merchant of Venice, Private Lives, The Taming of the Shrew (Utah Shakespeare Festival).
Dan Chameroy
CHICAGO SHAKESPEARE: Debut. TOUR: Matilda (US National Tour). INTERNATIONAL: Chicago, A Winter’s Tale, Cymbeline, As You Like It, The Tempest, The Merry Wives of Windsor, The Rocky Horror Show, Little Shop of Horrors, Billy Elliot, Oklahoma!, Camelot (Stratford Festival); Idiot’s Delight, Of Human Bondage, The Barber of Seville (Soulpepper Theatre Company); The Magic Fire (Shaw Festival); Life After, The Wild Party (The Musical Stage Company); Company (Theatre 20); The Arsonists, Into The Woods (Canadian Stage); Beauty and the Beast, The Drowsy Chaperone, A Funny Thing Happened on the Way to the Forum, Les Misérables (Mirvish Productions). TELEVISION: Leer Estates (stratfest@home); Hotel Transylvania: The Series (Sony Pictures); Saving Me (BYUtv). EDUCATION: The Birmingham Conservatory; Stratford Festival. AWARDS: Dora Mavor Moore, Toronto Critics Choice, multiple Canadian Screen nominations. @danchameroy
William Dick
CHICAGO SHAKESPEARE: All’s Well That Ends Well, The Wizard of Oz, A Midsummer Night’s Dream, The Merry Wives of Windsor, Cyrano de Bergerac, Henry VIII, The Madness of George III, Macbeth, Cymbeline, The Merchant of Venice, among others. CHICAGO: A Christmas Carol, Bernhardt/Hamlet, Father Comes Home from the Wars, Blind Date, Moonlight and Magnolias, House and Garden, The Goat, or Who is Sylvia? (Goodman Theatre); Choir Boy, We All Went Down to Amsterdam (Steppenwolf Theatre Company); The Book of Will, The Odd Couple (Northlight Theatre); The Pitmen Painters (TimeLine Theatre Company). REGIONAL: Asolo Repertory Theatre, Michigan Public Theatre, Studio Arena Theatre, The Los Angeles Theatre Center, extensive work at Milwaukee Repertory Theater. TELEVISION: 4400 (CW); Fargo (FX); Chicago Fire, Crisis (NBC); Empire, Mob Doctor (FOX); Leverage (TNT). FILM: The Company, Ice Harvest, Stranger than Fiction, The Break Up, The Promotion, The Merry Gentleman, Fred Claus, Oz the Great and Powerful. AWARDS: Joseph Jefferson – Best Ensemble Large Theatre, Choir Boy.
Kevin Gudahl
CHICAGO SHAKESPEARE: Comedy of Errors, As You Like It, The King’s Speech, Richard III, The School for Lies, Elizabeth Rex, Julius Caesar, A Little Night Music, Henry IV Parts 1 and 2, Pacific Overtures, titles roles in Macbeth, Anthony and Cleopatra, Troilus and Cressida. CHICAGO: Inherit the Wind, The House of Martini Guerre, King Lear (Goodman Theatre); My Fair Lady, Who’s Afraid of Virginia Woof, Proof (Court Theatre); Translations, Parade, Twelfth Night (Writers Theatre); Marriott Theatre, Northlight Theatre, Remy Bumppo Theatre Company, Drury Lane Theatre, Victory Gardens Theater. REGIONAL: The National Theatre (Washington DC), Peninsula Players, Notre Dame Shakespeare. INTERNATIONAL: Stratford Shakespeare Festival, Canadian Stage, Donmar Warehouse, Royal Shakespeare Company (Chicago Shakespeare tour). FILM: While You Were Sleeping, Home Alone III, The Poker House. TELEVISION: Emperor of Ocean Park (MGM+); Shining Girls (Apple TV); Chicago Fire, Crisis (NBC); Boss (Starz); Empire, The Chicago Code (FOX); Early Edition (CBS). Gudahl is a multiple Joseph Jefferson Award recipient, and is a Shakespeare verse coach and folio instructor.
Ora Jones
CHICAGO SHAKESPEARE: Countess in All’s Well That Ends Well, Katherine of Aragon in Henry VIII, Queen Charlotte in The Madness of George III, Maria in Twelfth Night, Lucienne in A Flea in Her Ear. CHICAGO: The Children, Familiar, The Roommate, Olga in Three Sisters, The Brother/Sister Plays, Middletown, The Violet Hour (Steppenwolf Theatre Company); One Giant Leap, My Kind of Town (TimeLine Theatre Company); Rasheeda Speaking (Rivendell Theatre Ensemble); Ah, Wilderness!, Animal Crackers, Proof, A Christmas Carol, Seeking the Genesis (Goodman Theatre); The Iphigenia Cycle, Mary Stuart, My Fair Lady (Court Theatre). BROADWAY: Les Liaisons Dangereuses, Matilda the Musical. REGIONAL: Pioneer Theatre Company, Studio Theatre, Next Act Theatre, Weston Playhouse, Milwaukee Repertory Theatre. INTERNATIONAL: Galway Theatre Festival, Ireland. FILM: We Grown Now, Were the World Mine, Stranger than Fiction. TELEVISION: 61st Street (AMC); Somebody Somewhere (HBO); Betrayal (ABC); Chicago Fire (NBC). AWARDS: Black Theatre Alliance, After Dark.
Bill Larkin
CHICAGO SHAKESPEARE: The Genie in Disney’s Aladdin, Fairy Tales, Classical Idol! CHICAGO: The Producers (The Mercury Theater); A Class Act, A Funny Thing Happened on the Way to the Forum, Call Me Madam (Porchlight Music Theatre); The 25th Annual Putnam County Spelling Bee (Broadway in Chicago); Death by Evening (The Second City e.t.c.). REGIONAL: The Agony and the Ivories (Edinburgh and Orlando Fringe Festivals); El Grande de Coca-Cola (Civic Theatre of Central Florida); Streetmosphere, Hoop Dee Doo Musical Revue (Walt Disney World). RECORDINGS: The Paper Machete, Knowing Your Audience (Green Mill Jazz Club). FILM: No Ordinary Hero. TELEVISION: Chicago PD (NBC); Premium Blend (Comedy Central). EDUCATION: BS in communications, University of Massachusetts Amherst. AWARDS: Joseph Jefferson – Performer in a Principal Role, A Class Act. Larkin has spent more than 20 years in the piano bar circuit including Howl at the Moon and Redhead Piano Bar.
Ross Lehman
CHICAGO SHAKESPEARE: Pericles, King Lear, The Merry Wives of Windsor, Cyrano de Bergerac, As You Like It, Feste in Twelfth Night, Dudley Marsh/Dromio of Syracuse in The Comedy of Errors (2008), Troilus and Cressida, Henry IV Parts 1 and 2 (at CST and on tour to Royal Shakespeare Company, Stratford-upon-Avon), Cymbeline. CHICAGO: Sentimental Journey (Citadel Theatre); Fiddler on the Roof, The Producers (Marriott Theatre); Waiting for Godot, A Funny Thing Happened on the Way to the Forum, Stage Kiss (Goodman Theatre); A Man of No Importance, The Dresser, As You Like It, Hamlet (Writers Theatre). BROADWAY: A Funny Thing Happened on the Way to the Forum, The Tempest, One Flew Over the Cuckoo’s Nest. INTERNATIONAL: Koko in the London production of Hot Mikado (Laurence Olivier Award nomination). AWARDS: Joseph Jefferson – A Funny Thing Happened on the Way to the Forum, A Man of No Importance; After Dark – The Dresser. Lehman teaches acting at Loyola University.
Michael E. Martin
CHICAGO SHAKESPEARE: Debut. CHICAGO: United Flight 232 (The House Theatre of Chicago); Groundhog Day (Paramount Theatre); Kentucky (The Gift Theatre). REGIONAL: Bloomington Playwrights Project, Rocky Mountain Repertory, Little Theatre on the Square, Sight & Sound Theatres, Thingamajig Theatre Company, CityRep Theatre, Everblue Arts. FILM: Step 6 (post-production). TELEVISION: Chicago Fire (NBC). EDUCATION: MM in music theatre, Oklahoma City University; BM in music education, Murray State University. AWARDS: Joseph Jefferson – Best Ensemble, United Flight 232.
Steve McDonagh
CHICAGO SHAKESPEARE: The Comedy of Errors. CHICAGO: The Music Man (Goodman Theatre); Arsenic and Old Lace (Court Theatre); Call Me Madam, Bells are Ringing (Porchlight Music Theatre); The Elephant Man, Native Gardens, All Shook Up (Williams Street Repertory); Driving Miss Daisy, The Sunshine Boys, Little Shop of Horrors (Theatre at the Center); As You Like It (Oak Park Festival Theatre); A Christmas Carol (Drury Lane Theatre Oakbrook). REGIONAL: The Kennedy Center, Farmer’s Alley. TOURING: The Gifts of the Magi. FILM: Twisted Little Lies, Glass Houses, Separate Checks. TELEVISION: Chicago Fire, Chicago Med (NBC); Host of Party Line (Food Network). PODCAST: Host of But I Digest podcast.
Russell Mernagh
CHICAGO SHAKESPEARE: Antipholus of Ephesus in Chicago Shakespeare in the Parks The Comedy of Errors, Mischa in Ride the Cyclone. CHICAGO: The Play that Goes Wrong (Broadway Playhouse); Rock of Ages (Drury Lane Theatre); Mamma Mia! (Marriott Theatre); Wonderful Town (Goodman Theatre); Les Misérables (Paramount Theatre). OFF BROADWAY: The Play that Goes Wrong (New World Stages). EDUCATION: BFA in acting, Western Michigan University.
Susan Moniz
CHICAGO SHAKESPEARE: Sally in Follies, Jessica in The Merchant of Venice. CHICAGO: Kate in Kiss Me, Kate, Elsie in October Sky, Witch in Into the Woods (Marriott Theatre); Mother Abbess in The Sound of Music (Paramount Theater); Joy in Shadowlands, Shelby in The Spitfire Grill (Provision Theater); Eva Peron in Evita (Drury Lane Theatre); Sarah Brown in Guys & Dolls (Court Theater); Oklahoma, The Merry Widow (Lyric Opera of Chicago). BROADWAY: Sandy & Rizzo in Grease. REGIONAL: The Baroness in Chitty Chitty Bang Bang, Carlotta in Phantom (Fulton Opera House); Yum Yum in The Hot Mikado (Ford’s Theatre). TOURS: Helen in Fun Home (First National Tour); Madam Giry in The Phantom of the Opera. TELEVISION: Chicago PD, Chicago Med (NBC). AWARDS: After Dark, Joseph Jefferson.
Robert Petkoff
CHICAGO SHAKESPEARE: Title roles in Troilus and Cressida, Hamlet, Sunday in the Park with George, Mercutio in Romeo and Juliet (Joseph Jefferson Award Nomination), Buddy in Follies. CHICAGO: Pride and Prejudice (Lifeline Theatre), Private Investigations (Commons Theatre). BROADWAY: Epic Proportions, Fiddler on the Roof, Ragtime, Anything Goes, All the Way. OFF BROADWAY: More Stately Mansions, Avow, Happiness, Beast in the Jungle, Mrs. Warren’s Profession. TOURS: Sir Robin in Spamalot (First National Tour), Algernon in The Importance of Being Earnest, Bruce in Fun Home (First National Tour). REGIONAL: The Old Globe, Denver Center Theatre, Mark Taper Forum, Hartford Stage. INTERNATIONAL: Tantalus (Barbican Theatre); The Royal Family (West End); More Stately Mansions (Het Zuidelijk Toneel, Edinburgh Festival). FILM: Vice Versa, Gameday, Milk and Money. TELEVISION: Mona (ABC); Married with Children (FOX); Quantum Leap, Law and Order, Law and Order: SVU (NBC); The Good Wife, Madam Secretary, Elementary (CBS). Petkoff is an award-winning audiobook narrator with over 350 titles recorded.
Maya Vinice Prentiss
Maya Vinice Prentiss is an SAFD certified actor-combatant, fight choreographer and dialect coach. Chicago performance credits include An Octoroon (Definition Theatre Company); Clyde’s, How to Catch Creation, School Girls; or, the African Mean Girls Play (Goodman Theatre); Rome Sweet Rome, Romeo and Juliet (Chicago Shakespeare Theater); Marie Antoinette and the Magical Negroes (The Story Theatre); and Eclipsed (Pegasus Theatre Company). Regional credits include School Girls; or, the African Mean Girls Play (TheatreSquared); As You Like It, Pride and Prejudice, Caesar (Illinois Shakespeare Festival); and Origin Story (Illinois Theatre). Fight choreography credits include Steppenwolf Theatre, Chicago Shakespeare Theater, Definition Theatre, The Story Theatre and The Impostors Theatre. Dialect coaching credits include Goodman Theatre and The House Theatre. Prentiss has a BFA in Drama from Spelman College and an MFA in Acting from University of Illinois at Urbana-Champaign. She received a Jeff Award (Best Fight Choreography) for Ethiopianamerica.
Greg Vinkler
CHICAGO SHAKESPEARE: King Lear in King Lear, Malvolio in Twelfth Night, Polonius in Hamlet, Jaques in As You Like It, Falstaff in Henry IV, Parts 1 and 2, King John in King John, Angelo in Measure for Measure, plus 32 others. CHICAGO: Goodman Theatre, Steppenwolf Theatre Company, Northlight Theatre, Writers Theatre, Court Theatre, Marriott Theatre, Victory Gardens Theatre. BROADWAY: West Side Story. REGIONAL: Milwaukee Repertory Theater, Pittsburgh Public Theatre, BoarsHead Theater, Paper Mill Playhouse, Fulton Theatre. INTERNATIONAL: Royal Shakespeare Company, Stratford-upon-Avon, Barbican Theatre in London, Singapore Repertory Theatre, Vienna’s English Theatre. EDUCATION: BFA, University of Illinois; MFA, Ohio University. AWARDS: Joseph Jefferson – King Lear, Twelfth Night, Hamlet; After Dark – As You Like It. Vinkler was artistic director of Peninsula Players Theatre from 1994–2022.
Bruce A Young
CHICAGO SHAKESPEARE: founding member as both an actor and fight choreographer, including Henry V, Antony and Cleopatra, Cymbeline, Hamlet, The Merchant of Venice, Henry IV Parts 1 and 2 (CST and Royal Shakespeare Company), Rose Rage (CST and The Duke on 42nd Street, New York). CHICAGO: Victory Gardens Theatre; Hedda Gabler (Northlight Theatre); Galileo, The Tempest (Goodman Theatre); Driving Miss Daisy (Briar Street Theatre); Warp (Organic Theater Company). BROADWAY: Macbeth directed by Terry Hands (Music Box Theatre). OFF BROADWAY: Elliot Loves directed by Mike Nichols (Promenade Theater). REGIONAL: Water by the Spoonful, Fingersmith, The Tempest, The Happiest Song Plays Last (Oregon Shakespeare Festival); Neighbors (Mixed Blood Theatre Company); Titus Andronicus (Shakespeare Santa Cruz); Joe Turner’s Come and Gone (Baltimore Center Stage); Othello (Philadelphia Drama Guild). FILM: Risky Business, Enough, Hotshots, Phenomenon, Trespass, Basic Instinct, An Innocent Man, The Color of Money. TELEVISION: The Unit (CBS); The Sentinel, Highlander, The District (USA); Grey’s Anatomy (ABC); Boomtown (NBC).
Isabella Abel-Suarez
ISABELLA ABEL-SUAREZ CHICAGO SHAKESPEARE: Debut. CHICAGO: The Wizard of Oz (Marriott Theatre); Our Dear Dead Drug Lord (Steep Theatre). REGIONAL: Milwaukee Repertory Theater, Utah Shakespeare Festival. EDUCATION: BFA in theatre, Southern Utah University.
Angelica Herndon
CHICAGO SHAKESPEARE: Debut. CHICAGO: Young Playwrights Festival (Pegasus Theatre); The Wiz Jr. (Emerald City Theatre); Sweet Charity (Skokie Theatre). FILM: The Thing About Harry. TELEVISION: Chicago Fire, Chicago Med (NBC). EDUCATION: BA in musical theatre, MA in teaching, Fairleigh Dickinson University.
Benjamin Jenkins
CHICAGO SHAKESPEARE: The Comedy of Errors. CHICAGO: Arsenic and Old Lace (Court Theatre); Middle Passage (Lifeline Theatre); Fireflies (Northlight Theatre); Titus Andronicus (Haven Chicago); Feral (MPAACT); Choir Boy, Not About Nightingales (Raven Theatre). EDUCATION: BFA in acting, Florida State University, Tallahassee, Florida.
Madison Kauffman
CHICAGO SHAKESPEARE: A Midsummer’s Night’s Dream. CHICAGO: Fiddler on the Roof (Lyric Opera of Chicago); Southern Gothic (Windy City Playhouse); The Secret of My Success, The Little Mermaid (Paramount Theatre); A Christmas Carol, James and the Giant Peach (Drury Lane Theatre); A Taste of Things to Come (Broadway in Chicago). REGIONAL: Grease (Casa Mañana); Numbers Nerds (New York Musical Theatre Festival); Mamma Mia!, Rabbit Hole, Rumors (Ozark Actors Theatre); Guys & Dolls, Into the Woods, Violet, A Midsummer Night’s Dream. EDUCATION: BFA in musical theatre, Millikin University.
Jeff Kurysz
CHICAGO SHAKESPEARE: All’s Well That Ends Well, The Comedy of Errors, As You Like It, Shakespeare in Love. CHICAGO: Revolutions, Support Group for Men (Goodman Theatre); 33 to Nothing (A Red Orchid Theatre); The Legend of Georgia McBride (Northlight Theatre) Verboten (The House Theatre of Chicago); Zurich (Steep Theatre); One Came Home (Lifeline Theatre); Year of the Rooster, R+J: The Vineyard (Red Theater); Romeo and Juliet (Teatro Vista); All My Sons (Eclectic Theatre Co.); Amadeus (Boho Theatre); REGIONAL: As You Like It (Milwaukee Repertory Theater); Richard III, Twelfth Night, The Tempest (Arkansas Shakespeare Theatre). TELEVISION: Mayor of Kingstown (Paramount+); Chicago Fire, Chicago Med, Crisis (NBC); Proven Innocent (FOX). EDUCATION: The School at Steppenwolf; Illinois State University
Matt Miles
CHICAGO SHAKESPEARE: Debut. CHICAGO: Bald Sisters, Seagull (Steppenwolf Theatre Company); Trial in the Delta: The Murder of Emmett Till (Collaboraction); Avenue Q (The Mercury Theater); Peter and the Starcatcher (Drury Lane Theatre); The Source (Route 66 Theatre Company); Billy Elliot (Music Theatre Works); Bat Boy, Ragtime (Griffin Theatre). REGIONAL: Legends of Castle O’Sullivan (Jim Henson Productions). FILM: Trial in the Delta: The Murder of Emmett Till (Peacock); Chicago Rot (Dakini Productions); multiple credits with The Onion Network. TELEVISION: Chicago Fire, Chicago Med (NBC); Empire (FOX); Sirens (USA). EDUCATION: BFA, University of Tulsa. AWARDS: Cast member of Regional Emmy Award-winning Long Form Human Interest film Trial in the Delta: The Murder of Emmett Till (Peacock).
Michael Joseph Mitchell
CHICAGO SHAKESPEARE: Duke/Lucio in Measure for Measure, The Wizard in The Wizard of Oz, Sir Davison/Count Bellievre in Schiller’s Mary Stuart. CHICAGO: Spring Awakening (Porchlight Music Theatre); Will Shakespeare in Elizabeth Rex (Oak Park Festival Theatre); My Fair Lady (Lyric Opera of Chicago); Assassination Theater (Museum of Broadcast Communications); A Midsummer Night’s Dream, The Winter’s Tale, The Merchant of Venice (First Folio Theatre); The Goat or, Who is Sylvia? (Remy Bumppo Theatre Company); Underneath the Lintel (City Lit Theater Company); Scrooge, Bob Cratchit in A Christmas Carol (Drury Lane Theatre). REGIONAL: Asolo Repertory Theatre, Syracuse Stage, Indiana Repertory Theatre, BoarsHead Theater, Colonial Theatre. FILM: Falsely Accused; Scrooge & Marley. TELEVISION: Chicago Fire (NBC). EDUCATION: Drake University; National Theater Institute; Théâtre des Amandiers, France.
Ian Reed
CHICAGO SHAKESPEARE: Debut. CHICAGO: Eddie in The Wild Party (Blank Theatre Company); Patrick Star in The SpongeBob Musical (Surging Films & Theatrics). REGIONAL: Frank in The Rocky Horror Show (The Circa 21 Speakeasy). FILM: Ghostland Pilot (Fresh Films). EDUCATION: BFA in musical theatre, Culver-Stockton College, Canton, MO.
Jonathan Schwart
CHICAGO SHAKESPEARE: Debut. CHICAGO: The Music Man (Goodman Theatre); The Secret of My Success (Paramount Theatre); Caroline, or Change (Firebrand Theatre in partnership with TimeLine Theatre Company); Grand Hotel (Kokandy Productions); Ragtime (Griffin Theatre); Mary Rose (Black Button Eyes Productions); Peabody (Young People’s Theatre of Chicago). TELEVISION: Chicago Fire (NBC). EDUCATION: BBA in finance, BA in economics, The University of Texas at Austin; MPP, The University of Chicago. The ACADEMY at Black Box Acting; The Second City Music Program. AWARDS: Joseph Jefferson. he/him
Gabrielle Strong
Assistant Lighting Designer
Gabrielle Strong
Assistant Lighting Designer
Barbara Gaines
(Former Artistic Director/Carl and Marilynn Thoma Chair) has directed nearly sixty productions at Chicago Shakespeare since founding the Theater in 1986, including thirty of Shakespeare’s plays. Honors include the 2008 Tony Award for Outstanding Regional Theatre, the prestigious Honorary OBE (Officer of the Most Excellent Order of the British Empire) in recognition of her contributions strengthening British-American cultural relations, the Making History Award, as well as multiple Joseph Jefferson Awards for Best Production and for Best Director. Gaines has directed at the Royal Shakespeare Company in Stratford-upon-Avon, Lyric Opera of Chicago, and The Old Globe in San Diego
Ron West
West also adapted The Taming of the Shrew for Chicago Shakespeare. With Phil Swann he is the co-author of Romeo and Juliet Musical: The People vs. Friar Laurence, The Man Who Killed Romeo and Juliet, which found success at Chicago Shakespeare. West and Swann also wrote the musical Delearious and Neil Simon’s Musical Fools. West directed Twist Your Dickens at the Goodman Theatre and Portland Center Stage. He has also staged numerous shows at The Second City and several Catherine Butterfield plays, including Life Expectancy. If he’s not playing Scrooge at Christmas, he’s singing “Taxman” in BOTH – A Beatles Gospel Nativity. On television, he usually plays someone whose first name is Doctor. Concurrently he directs This Week This Week, a topical sketch show at the Open Fist Theater in Los Angeles, CA. 21 www.chicagoshakes.com
James Noone
CHICAGO SHAKESPEARE: Hamlet, Henry IV Parts 1 and 2, Antony and Cleopatra, Richard II, Julius Caesar, The Merry Wives of Windsor (2013, 2004), Henry VIII. BROADWAY: Inherit the Wind, The Gin Game, Jekyll and Hyde, The Sunshine Boys, Getting and Spending, Night Must Fall, The Rainmaker, A Class Act, Judgement at Nuremberg, Urban Cowboy, Match, Hot Feet, A Bronx Tale, Come Back Little Sheba, A Time to Kill, Lady Day at Emerson’s Bar and Grill, Sunset Boulevard. OFF BROADWAY: Frankie and Johnny in the Clair De Lune, Breaking Legs, Cowgirls, Ruthless, Edward Albee’s Three Tall Women, Full Gallop, Fully Committed, A Bronx Tale, Party, Boys in the Band. REGIONAL: Noone has designed for regional theaters across the United States for the past 40 years. OPERA: Macbeth, Marriage of Figaro both directed by Barbara Gaines (Lyric Opera of Chicago); Washington National Opera, Houston Grand Opera, New York City Opera, Glimmerglass Festival, LA Opera, English National Opera, Château de Versailles Spectacles, Théâtre du Capitole, Opéra National de Bordeaux. FILM: Lady Day at Emerson’s Bar and Grill (HBO). AWARDS: Drama Desk, American Theatre Wing Design, LA Ovation, 2 Helen Hayes. Noone is an associate professor at Boston University and is currently Head of BU’s scenic design program.
Mieka Van Der Ploeg
CHICAGO SHAKESPEARE: Romeo and Juliet, Short Shakespeare! productions of Macbeth, Romeo and Juliet, Chicago Shakespeare in the Parks productions of A Midsummer Night’s Dream, Romeo and Juliet, and CPS Shakespeare: Macbeth. CHICAGO: Goodman Theatre, Steppenwolf Theatre Company, Court Theatre, Writers Theatre, Lyric Opera Unlimited, Lookingglass Theatre Company, Paramount Theatre, Marriott Theatre, Remy Bumppo Theatre Company, The Second City, Redmoon, The Hypocrites, Chicago Children’s Theatre, About Face Theatre, Steep Theatre Company, Theater Wit, Albany Park Theater Project, Manual Cinema. REGIONAL: Milwaukee Repertory Theater, American Players Theatre, Children’s Theatre of Charlotte, Public Theater’s Under the Radar Festival. AWARDS: 2020 Joseph Jefferson Award First Love is the Revolution (Steep Theatre Company). She is a member of USA829.
Ken Posner
CHICAGO SHAKESPEARE: The Taming of the Shrew, Troilus and Cressida, Richard III all directed by Barbara Gaines. CHICAGO: War Paint, Crowns, Touch of the Poet (Joseph Jefferson Award Nomination), Griller (Goodman Theatre); Mother Courage (Steppenwolf Theatre Company); Fidelio, Electra (Chicago Symphony Orchestra). BROADWAY/OFF BROADWAY: Posner designs extensively on and off Broadway as well as for touring productions and regional theaters throughout the United States and internationally. Tony Award-nominated designs include The Adventures of Tom Sawyer, The Coast of Utopia: Shipwreck, Beetlejuice, Hairspray, Dirty Rotten Scoundrels, Pippin, Kinky Boots, Cinderella, Wicked, Other Desert Cities, The Merchant of Venice. AWARDS: Tony, Drama Desk, Outer Critics’ Circle, Obie, Joseph Jefferson including one for Richard III at Chicago Shakespeare. Posner began his Chicago design career at Shakespeare Repertory at the Ruth Page Center for the Arts.
Lindsay Jones
CHICAGO SHAKESPEARE: 33 productions including: Hamlet, Tug of War: Foreign Fire and Civil Strife, Othello, King Lear, The Merry Wives of Windsor, Henry VIII, Julius Caesar, Henry IV Parts 1 and 2, Henry V. CHICAGO: Goodman Theatre, Steppenwolf Theatre Company, Northlight Theatre, Lookingglass Theatre Company. BROADWAY: Slave Play, The Nap, A Time to Kill, Bronx Bombers. OFF BROADWAY: Bootycandy, Wild with Happy, The Brother/Sister Plays, Top Secret, Rx, Beautiful Thing. REGIONAL: Guthrie Theater, South Coast Repertory, McCarter Theatre, Arena Stage, The Old Globe, Hartford Stage. INTERNATIONAL: Royal Shakespeare Company (UK); Stratford Festival (Canada); productions in Ireland, Austria, Zimbabwe, Scotland, South Africa. FILM: The Brass Teapot (Magnolia Pictures); A Note of Triumph (HBO Films, 2006 Academy Award winner). AWARDS: 2 Tony nominations (Best Score and Best Sound Design), 7 Joseph Jefferson, 2 Ovation, 3 Drama Desk nominations, Michael Maggio Emerging Designer. www.lindsayjones.com
Richard Jarvie
CHICAGO SHAKESPEARE: As You Like It, Emma, The King’s Speech, The Wizard of Oz, Romeo and Juliet, Hamlet, A Midsummer Night’s Dream, Nell Gwynn, Peter Pan – A Musical Adventure, Macbeth, Schiller’s Mary Stuart, Red Velvet, The Taming of the Shrew, Madagascar, Shakespeare in Love, Chicago Shakespeare in the Parks productions of The Comedy of Errors, A Midsummer Night’s Dream, and Romeo and Juliet, Short Shakespeare! productions of Romeo and Juliet, A Midsummer Night’s Dream; Macbeth, Love’s Labor’s Lost, King Charles III; the inaugural season of Chicago Shakespeare on Navy Pier. CHICAGO: Goodman Theatre, Court Theatre, Steppenwolf Theatre Company, Drury Lane Theatre Oakbrook, twenty-eight years with Lyric Opera of Chicago, eleven of them as wig master and make-up designer. REGIONAL: Alliance Theatre, McCarter Theatre, Guthrie Theater (wig master). OPERA: Atlanta Opera, San Francisco Opera, Hawaii Opera, Chicago Opera Theatre, Saint Louis Opera, the Spoleto Festivals of Charleston, South Carolina, and Italy. INTERNATIONAL: Tom Patterson Theatre in Stratford, Ontario.
Larry Yando
CHICAGO SHAKESPEARE: Measure for Measure, Twelfth Night (2009, 2021), Emma, Hamlet, Nell Gwynn, Shakespeare in Love, Tug of War: Foreign Fire and Civil Strife, The Tempest (2002, 2015), King Lear (2001, 2014), Julius Caesar, The Taming of the Shrew, Cymbeline, Timon of Athens, All’s Well That Ends Well, Antony and Cleopatra, The Merry Wives of Windsor, Henry IV Parts 1 & 2, The Two Gentlemen of Verona, The Two Noble Kinsmen. CHICAGO: twelve years as Scrooge in A Christmas Carol, Bernhardt/Hamlet, The Little Foxes, Candide, The Jungle Book (Goodman Theatre); Buried Child, The Dance of Death, As You Like It, Nixon’s Nixon, Rocket to the Moon, Hamlet, Bach at Leipzig (Writers Theatre); Angels in America, Travesties, An Ideal Husband (Court Theatre); Fake, Mother Courage and Her Children (Steppenwolf Theatre Company). TOURING: three years as Scar in The Lion King. INTERNATIONAL: Battlefield directed by Peter Brook. AWARDS: 2014 Sarah Siddons Society, Chicago Magazine Best Chicago Actor, DePaul University’s Excellence in the Arts, one of nine national recipients of the prestigious 2010 Lunt-Fontanne Fellowship, five Joseph Jefferson Awards. Yando is a freelance acting coach.
Kathy Logelin
CHICAGO SHAKESPEARE: Debut. CHICAGO: Arsenic and Old Lace (Court Theatre); Cabaret (Porchlight Music Theatre); Georgiana and Kitty: Christmas at Pemberley, Intimate Apparel (Northlight Theatre); Priscilla Queen of the Desert (The Mercury Theater); The Three Penny Opera (Theo Ubique Cabaret Theatre); Oliver! (Marriott Theatre). REGIONAL: Wife of a Salesman (Milwaukee Repertory Theater); Alias Grace, A Christmas Carol (Clarence Brown Theatre); King Lear, Much Ado About Nothing, Measure for Measure, The Winter’s Tale, Henry V (Illinois Shakespeare Festival). Logelin is an adjunct professor at Ball State University.
Martine Green-Rogers
CHICAGO SHAKESPEARE: Debut. CHICAGO: Trouble in Mind (TimeLine Theatre Company); King Hedley II, Radio Golf, Five Guys Named Moe, Blues for an Alabama Sky, Gem of the Ocean, Waiting for Godot, Iphigenia at Aulis, Seven Guitars, The Mountaintop, Home (Court Theatre); Sweat, Toni Stone (Goodman Theatre). BROADWAY: Jagged Little Pill. REGIONAL: Round House Theatre, Salt Lake Acting Company, Marin Theatre Company, The Kennedy Center, Oregon Shakespeare Festival, The Hudson Valley Shakespeare Festival, Utah Shakespeare Festival. EDUCATION: PhD in theatre, University of Wisconsin-Madison. Green-Rogers is the dean of the Theatre School at DePaul University.
Peter Andersen
CHICAGO SHAKESPEARE: Debut. CHICAGO: TimeLine Theatre, Writers Theatre. REGIONAL: A Midsummer Night’s Dream (Catskill Mountain Shakespeare); As You Like It, 21, At Your Own Risk, The Kennedy Plays (Carnegie Mellon University); Shakesqueer (Queer Shakespeare); The Cafe Collections (Brooklyn); O/A: The Sophocles Project (Boston); As You Like It, Macbeth, Measure for Measure (Emerson College); American Players Theatre as an assistant director; Huntington Theatre Company, Oregon Shakespeare Festival, Yale Repertory Theatre. ACTING: Chicago, Boston, Berkshires, New York City. UPCOMING: Measure for Measure (Montana Shakespeare in the Parks); At Your Own Risk (University of Chicago); A Midsummer Night’s Dream (Oak Park Festival Theatre). EDUCATION: MFA in directing, Carnegie Mellon University; BFA in acting, Emerson College. Andersen is the artistic director of Oak Park Festival Theatre. He has worked for Steppenwolf Theatre Company as the Steppenwolf For Young Adults Apprentice and Multicultural Fellow, and for Writers Theatre as the Education Manager. petergandersen.com
Joe Kinosian
CHICAGO SHAKESPEARE: Murder for Two (Jeff Award – Best New Musical; Jeff Nomination – Best Leading Actor in a Musical). OFF BROADWAY: Murder for Two (Drama Desk, Drama League, Outer Critics Circle Award nominations). REGIONAL: The Old Globe, Arizona Theatre Company, Pittsburgh Civic Light Opera, Milwaukee Repertory Theater, Denver Center for the Performing Arts, Bucks County Playhouse. INTERNATIONAL: Murder for Two (Japan, Korea, China, England, Argentina, Brazil, Chile, Poland). EDUCATION: Milwaukee High School of the Arts, BMI Lehman Engel Musical Theatre Workshop. AWARDS: ASCAP Foundation Mary Rodgers/Lorenz Hart Award. IN DEVELOPMENT: One-Man Titanic (composer/solo performer, Bay Street Theater, Arizona Theatre Company); Untitled Kristin Chenoweth Musical.
Bruce A Young
CHICAGO SHAKESPEARE: founding member as both an actor and fight choreographer, including Henry V, Antony and Cleopatra, Cymbeline, Hamlet, The Merchant of Venice, Henry IV Parts 1 and 2 (CST and Royal Shakespeare Company), Rose Rage (CST and The Duke on 42nd Street, New York). CHICAGO: Victory Gardens Theatre; Hedda Gabler (Northlight Theatre); Galileo, The Tempest (Goodman Theatre); Driving Miss Daisy (Briar Street Theatre); Warp (Organic Theater Company). BROADWAY: Macbeth directed by Terry Hands (Music Box Theatre). OFF BROADWAY: Elliot Loves directed by Mike Nichols (Promenade Theater). REGIONAL: Water by the Spoonful, Fingersmith, The Tempest, The Happiest Song Plays Last (Oregon Shakespeare Festival); Neighbors (Mixed Blood Theatre Company); Titus Andronicus (Shakespeare Santa Cruz); Joe Turner’s Come and Gone (Baltimore Center Stage); Othello (Philadelphia Drama Guild). FILM: Risky Business, Enough, Hotshots, Phenomenon, Trespass, Basic Instinct, An Innocent Man, The Color of Money. TELEVISION: The Unit (CBS); The Sentinel, Highlander, The District (USA); Grey’s Anatomy (ABC); Boomtown (NBC).
Gregory Geffrard
CHICAGO SHAKESPEARE: Debut. CHICAGO: The Factotum (Lyric Opera of Chicago); Choir Boy, Bald Sisters (Steppenwolf Theatre Company); Passage, Routes (Remy Bumppo Theatre Company); Bat Boy, The Amateurs, Detroit ’67 (Columbia College Chicago); Gloria (Roosevelt University). REGIONAL: The Color Purple (Signature Theatre); Joe Turner’s Come and Gone (Huntington Theatre Company); White Noise (Studio Theatre); Boy (Philadelphia Theatre Company). EDUCATION: MFA in acting, University of Iowa. UPCOMING: K-I-S-S-I-N-G (Huntington Theatre Company); Galileo’s Daughter (Remy Bumppo Theatre Company). Geffrard is a resident intimacy consultant at Steppenwolf Theatre Company, an associate faculty member at Theatrical Intimacy Education, and a visiting professor at Columbia College Chicago. he/him
Courtney Abbott
CHICAGO SHAKESPEARE: Debut. CHICAGO: Bald Sisters, Choir Boy (Steppenwolf Theatre Company); Tiger Style! (Writers Theatre); Enough to Let the Light In (Teatro Vista); Hurricane Diane (Theater Wit); Solaris (Griffin Theatre); And Neither Have I Wings to Fly, The Jigsaw Bride (First Folio Theatre); Little Shop of Horrors (Citadel Theatre); Cabaret (Metropolis Performing Arts Centre). FILM: Paper Planes, Departing Seniors. EDUCATION: MFA, Ohio University; BS, Northwestern University. Abbott is a stakeholder in the Back Room Shakespeare Project and is a resident intimacy consultant with Greg Geffrard at Steppenwolf Theatre Company. she/they
Ethan Korvne
Ethan Korvne (Associate Sound Designer) CHICAGO SHAKESPEARE: Short Shakespeare! Romeo and Juliet, Associate Sound Designer for The Comedy of Errors. CHICAGO: Tambo & Bones (Refracted Theatre Company, Joseph Jefferson Award Nomination – Original Music in a Play and Best Sound Design); Gayme Changers (About Face Theatre). EDUCATION: BFA in sound design, The Theatre School at DePaul University
Bob Mason
CHICAGO SHAKESPEARE: 150 plus productions over 24 years, including 35 plays in Shakespeare’s canon under current Artistic Director Edward Hall and Founding Artistic Director Barbara Gaines. Also at CST: nine productions of Stephen Sondheim musicals under the direction of Gary Griffin. CHICAGO: Bounce, Light in the Piazza (Goodman Theatre); REGIONAL: SIX (CST, American Repertory Theater–Artios Award, Ordway Center, The Citadel); Ride the Cyclone (CST, Fifth Avenue Theatre/A Contemporary Theater, Alliance Theatre); OFF-BROADWAY: Ride the Cyclone (MCC); Rose Rage: Henry VI, Parts 1, 2 and 3, directed by Artistic Director Edward Hall (The Duke on 42nd Street); Marionette Macbeth (New Victory); BROADWAY: SIX, The Notebook; INTERNATIONAL: The Lord of the Rings: A Musical Tale (Auckland, NZ); Pacific Overtures (Donmar Warehouse–Olivier Award, Outstanding Musical); Henry IV, Parts One and Two (RSC). Prior to casting, Mason enjoyed a career as a Joseph Jefferson Award-winning actor and singer and has been a visiting educator at Northwestern University and multiple college programs across the country.
Katrina Herrmann
CHICAGO SHAKESPEARE: The Comedy of Errors, All’s Well That Ends Well, As You Like It. CHICAGO: The Steadfast Tin Soldier (Lookingglass Theatre Company); Seussical, Rock of Ages (Drury Lane Theatre); Mary Page Marlowe (Steppenwolf Theatre Company); The Hundred Dresses, The Miraculous Journey of Edward Tulane (Chicago Children’s Theatre); Kill Floor, The Royale, Sons of the Prophet (American Theater Company); Juno (TimeLine Theatre Company). REGIONAL: The King’s Speech (National Tour); Diana the Musical, Queens, The Cake, At the Old Place (La Jolla Playhouse); The Garden, Twisted Melodies (Baltimore Center Stage). OFF BROADWAY: The Flick, Kin, The Whale, The Big Meal, The Shaggs: Philosophy of the World, The Burnt Part Boys, Circle Mirror Transformation (Playwrights Horizons); Close Up Space (Manhattan Theatre Club); In the Wake (Public Theater). EDUCATION: BFA in stage management, DePaul University; MBA, Adams State University.
Elisabeth Schapmann
CHICAGO SHAKESPEARE: Measure for Measure, As You Like It, All’s Well That Ends Well, Remember This: The Lesson of Jan Karski. CHICAGO: Where We Belong (Goodman Theatre). EDUCATION: BFA in stage management, University of Illinois at Urbana-Champaign.
