“In the world of our play, Mistress Overdone’s brothel is really a nightclub, where you can find beautiful girls, beautiful boys—whatever the movie stars and rich people are looking for.”
Written by William Shakespeare
Directed by Henry Godinez
Courtyard Theater
Measure for Measure
Written by William Shakespeare
Directed by Henry Godinez
Courtyard Theater
Run Time: 2 hours, 40 minutes (including intermission)
“RAPTUROUS & ELECTRIFYING…it feels like it was always intended to take place in pre‑Castro Cuba.”
–Chicago Theatre Review
“Some rise by sin, and some by virtue fall.” Celebrated director Henry Godinez brings Shakespeare’s searing play to vivid life amidst the glamour, music, and sensuality of 1950s Cuba, just before Fidel Castro seizes power. Havana is the carefree playground of the rich, the famous—and the corrupt—while a revolution brews. As the city sinks into moral disrepair, the Duke hands power to Angelo, who zealously enforces an archaic statute of chastity. When Isabel comes to plead for mercy for her condemned brother Claudio, the depths of raw power’s depravity are shockingly revealed.
Arrive early to immerse yourself in the sultry world of the play, as the Courtyard Theater transforms into a dazzling Havana nightclub. Enjoy performances of mambo, bolero, and Afro-Cuban jazz in a mood-setting prologue to the production.
NOV 15 Spanish Translation
NOV 16 Open Captioning
NOV 18 ASL Interpretation
NOV 20 Audio Description
Run Time: 2 hours, 40 minutes (including intermission)
NOV 15 Spanish Translation
NOV 16 Open Captioning
NOV 18 ASL Interpretation
NOV 20 Audio Description
NOV 15 Spanish Translation
NOV 16 Open Captioning
NOV 18 ASL Interpretation
NOV 20 Audio Description
“Immersive & vibrant…its Cuban setting is immensely vivid, specific & universal”
–Chicago Sun-Times
“A major achievement… the work of a mature director; a personal capstone.”
–Chicago Tribune
“Director Henry Godinez’s inspired production is a masterclass on producing Shakespeare.”
–Newcity
“Director Henry Godinez’s inspired production is a masterclass on producing Shakespeare.”
–Newcity
Video: Trailer
Gallery: On Stage
Video: Panel Discussion
Video: Trailer
Gallery: On Stage
Isabel (Cruz Gonzalez-Cadel) and Lucio (Gregory Linington) in Measure for Measure. Photo by Liz Lauren.
Angelo (Adam Poss, at center), with Abhorson (Sándor Menéndez) and Mariana (Alejandra Escalante) in Measure for Measure. Photo by Liz Lauren.
The Provost (Robert Schleifer, at center) confronts The Duke (Kevin Gudahl)—disguised as a Friar—while Espuma (Kidany Camilo) interprets in Measure for Measure. Photo by Liz Lauren.
Nightclub performers (from left to right: Alejandra Escalante, Kidany Camilo, and Kierra Bunch) with the company of Measure for Measure. Photo by Liz Lauren.
Isabel (Cruz Gonzalez-Cadel) and the Duke (Kevin Gudahl)—disguised as a Friar—in Measure for Measure. Photo by Liz Lauren.
Lucio (Gregory Linington, at right) turns away while Elbow (Joe Foust) arrests Pompey (Elizabeth Ledo) in Measure for Measure. Photo by Liz Lauren.
The Duke (Kevin Gudahl) in disguise, Isabel (Cruz Gonzalez-Cadel), and Mariana (Alejandra Escalante) in Measure for Measure. Photo by Liz Lauren.
Barnardine (Debo Balogun) raises the flag of Cuba in Measure for Measure. Photo by Liz Lauren.
Video: Panel Discussion
Artists
John Payne
Understudy
John Payne
Understudy
Debo Balogun
CHICAGO SHAKESPEARE: Measure for Measure, Richard III. CHICAGO: A Case for the Existence of God, Light Falls, Red Rex, Zurich (Steep Theatre); Villette, Mary Shelley’s Frankenstein (Lookingglass Theatre Company); graveyard shift (Goodman Theatre), Mary’s Wedding (First Folio Theatre), Fair Maid of the West, You Can’t Take it With You (Oak Park Festival Theatre), Moon Man Walk (Definition Theatre). REGIONAL: Cincinnati Playhouse in the Park, McCarter Theatre Center. FILM: Exes of Christmas Past, Rabbit, Rabbit, Instinct of Fear, The Christmas Pitch, Black Pill. TELEVISION: Chicago Med and Chicago PD (NBC), Power Book IV: Force (STARZ), Single Drunk Female (Freeform), Fargo (FX), neXt (FOX). Debo is represented by Gray Talent Group.
Kierra Bunch
CHICAGO SHAKESPEARE: Debut. CHICAGO: August Wilson’s Two Trains Running, King Hedley II (Court Theatre); White (Definition Theatre); Recipe for Disaster, Southern Gothic (Windy City Playhouse); Plantation (Lookingglass Theatre Company); UrbanTheater Company; Black Ensemble Theater; eta Creative Arts Foundation. TELEVISION: South Side (HBO Max); Shameless (Showtime); Chicago Med (NBC); Empire (FOX); Daytime Emmy Award-winning children’s series Green Screen Adventures (WCIU). AWARDS: Jeff Award nominations for Performer in a Supporting Role for King Hedley II and Ensemble for Two Trains Running; Black Theater Alliance nomination for Best New Actress and Best Performance in an Ensemble.
Kidany Camilo
CHICAGO SHAKESPEARE: Shakesfest: A Chicago Shakespeare Community Cabaret. REGIONAL: Creon in Oedipus El Rey (Indianapolis Shakespeare Company); José Mexicano in Four Guys Named José and Una Mujer Named María (Stageworks Theatre); Tom in These Shining Lives (Powerstories Theatre); Earthworm in James and the Giant Peach (ThinkTank Theatre); Jedadiah Schultz/et al. in The Laramie Project (The Space at 2106); José Boricua in Four Guys Named José and Una Mujer Named María (Spanish Lyric Theatre). DANCE: Decay, Anticipated (Mad Shak Dance Company). EDUCATION: MFA in acting, Purdue University (2022); BA in theatre arts, University of South Florida (2018). AWARDS: Theatre Tampa Bay emerging artist award (2018); Florida Theatre Conference All-Star Cast Award for Timmy Bell in Quilt (2017). www.kidanycamilo.com
Andrés Enriquez
CHICAGO SHAKESPEARE: It Came From Outer Space. CHICAGO: Somewhere Over the Border (Teatro Vista); The Secret Council (First Folio Theatre); Middle Passage (Lifeline Theatre); The Killing Game (A Red Orchid Theatre); A Gentleman’s Guide to Love and Murder (Porchlight Music Theatre — Jeff Award nomination: Actor in a Principal Role), My Way: A Musical Tribute to Frank Sinatra (Theatre at the Center). REGIONAL: It Came From Outer Space (TheatreSquared); Montana Shakespeare in the Parks, Birmingham Children’s Theatre, Colonial Williamsburg, Shawnee Theatre, Iowa Repertory. TELEVISION: Chicago PD (NBC). EDUCATION: MFA, University of Iowa. ADDITIONAL CREDITS: artistic ensemble, Lifeline Theatre.
Alejandra Escalante
CHICAGO SHAKESPEARE: Measure for Measure, All’s Well That Ends Well. CHICAGO: The Cherry Orchard, 2666, The Upstairs Concierge, Measure for Measure, Song for the Disappeared (Goodman Theatre). OFF BROADWAY: Dying City (Second Stage Theater). REGIONAL: Simona’s Search (Hartford Stage); The Taming of the Shrew (American Players Theatre); Othello (American Repertory Theater); Sense and Sensibility (Guthrie Theater); The Excavation of Mary Anning, Another Word for Beauty, Fingersmith (New York Stage and Film); Darwin in Malibu (Washington Stage Guild); 6 seasons with Oregon Shakespeare Festival, including productions of Measure for Measure, Romeo and Juliet, As You Like It, The Tenth Muse, A Midsummer Night’s Dream, A Wrinkle in Time, The Tempest, Henry IV Parts 1 and 2, Othello, Love’s Labor’s Lost. EDUCATION: BFA, Boston University.
Joe Foust
CHICAGO SHAKESPEARE: 15 productions including Marionette Macbeth, The Winter’s Tale, Romeo and Juliet, Henry IV Parts 1 and 2, Timon of Athens, Hamlet, Troilus and Cressida, Twelfth Night. CHICAGO: Measure for Measure, A Christmas Carol, The Beard of Avon (Goodman Theatre); What the Butler Saw, Endgame (Court Theatre); Mother Courage And Her Children (Steppenwolf Theatre Company); Kabuki Medea (Wisdom Bridge Theater); The Seagull, Major Barbara (Remy Bumppo Theatre Company); Accidental Death of an Anarchist (Next Theatre); The Watson Intelligence, Spin, Santaland Diaries (Theater Wit); 10 productions with First Folio Theatre, and 3 seasons with Oak Park Festival Theatre. REGIONAL: title role in Hamlet (Nevermore Theatre); The 39 Steps, Around the World in 80 Days (Cleveland Play House); 5 productions with Milwaukee Shakespeare; Kabuki Achilles (People’s Light); The Winter’s Tale (Missouri Repertory Theatre); Romeo and Juliet (River Styx); 20 seasons acting, writing, and directing with Peninsula Players. Foust is a founding member of Defiant Theatre, where credits include directing and co-writing Action Movie: the Play and Ubu Raw. TELEVISION: Parks and Recreation, Chicago Fire (NBC); Normal (HBO); Early Edition (CBS); Proven Innocent (FOX); 61st Street (AMC).
Cruz Gonzalez-Cadel
CHICAGO SHAKESPEARE: Debut. CHICAGO (select): Hope: Part II of a Mexican Trilogy, The Abuelas, La Havana Madrid, i put the fear of mexico in ’em (Teatro Vista); The Notebooks of Leonardo Da Vinci (Goodman Theatre), Mary Shelley’s Frankenstein (Lookingglass Theatre Company); Lela & Co. (Steep Theatre, Jeff Award – Performer in a Principal Role); The Tragedy of Othello, The Moor of Venice, Electra (Court Theatre); You on the Moors Now (The Hypocrites); The Compass (Steppenwolf Theatre Company). FILM: Batman v Superman: Dawn of Justice. TELEVISION: Fargo (FX), Chicago Med (NBC), The Chi (Showtime), Empire (Fox). EDUCATION: BA in theatre arts, Universidad del Salvador, Buenos Aires, Argentina. Gonzalez-Cadel is an ensemble member and artistic producer at Teatro Vista. AWARDS: 2021 3Arts Make a Wave grantee.
Kevin Gudahl
CHICAGO SHAKESPEARE: Comedy of Errors, As You Like It, The King’s Speech, Richard III, The School for Lies, Elizabeth Rex, Julius Caesar, A Little Night Music, Henry IV Parts 1 and 2, Pacific Overtures, titles roles in Macbeth, Anthony and Cleopatra, Troilus and Cressida. CHICAGO: Inherit the Wind, The House of Martini Guerre, King Lear (Goodman Theatre); My Fair Lady, Who’s Afraid of Virginia Woof, Proof (Court Theatre); Translations, Parade, Twelfth Night (Writers Theatre); Marriott Theatre, Northlight Theatre, Remy Bumppo Theatre Company, Drury Lane Theatre, Victory Gardens Theater. REGIONAL: The National Theatre (Washington DC), Peninsula Players, Notre Dame Shakespeare. INTERNATIONAL: Stratford Shakespeare Festival, Canadian Stage, Donmar Warehouse, Royal Shakespeare Company (Chicago Shakespeare tour). FILM: While You Were Sleeping, Home Alone III, The Poker House. TELEVISION: Emperor of Ocean Park (MGM+); Shining Girls (Apple TV); Chicago Fire, Crisis (NBC); Boss (Starz); Empire, The Chicago Code (FOX); Early Edition (CBS). Gudahl is a multiple Joseph Jefferson Award recipient, and is a Shakespeare verse coach and folio instructor.
Elizabeth Ledo
CHICAGO SHAKESPEARE: All’s Well That Ends Well, The King’s Speech, Tug of War: Civil Strife, A Midsummer Night’s Dream, As You Like It, Amadeus, Funk It Up About Nothin’. CHICAGO: Uncle Vanya, The Secret Garden, Tartuffe, The Illusion (Court Theatre); The Matchmaker, Boleros for the Disenchanted, A Christmas Carol (Goodman Theatre); Homebody/Kabul, Morningstar (Steppenwolf Theatre Company); Steel Magnolias, Mamma Mia!, The Odd Couple, Barefoot in the Park (Drury Lane Theatre); Northlight Theatre, Writers Theatre, Lookingglass Theatre Company, Victory Gardens Theatre, About Face Theatre, and First Folio. NATIONAL TOUR: The King’s Speech. REGIONAL: Syracuse Stage, Indiana Repertory Theatre, Renaissance Theaterworks, American Players Theatre, and over 20 productions with Milwaukee Repertory Theatre. TELEVISION/VOICEOVER: numerous TV roles in Chicago as well as voice overs for commercials, video games and a dozen episodes of The Twilight Zone Radio Dramas. EDUCATION: Loyola University of Chicago. Ledo was a 2016 Lunt-Fontanne Fellow mentored by Jason Alexander.
Gregory Linington
CHICAGO SHAKESPEARE: Measure for Measure, verse coach for All’s Well That Ends Well. CHICAGO: Goodman Theatre, Northlight Theatre. OFF BROADWAY: Brooklyn Academy of Music, Joe’s Pub. REGIONAL: Rogue Theater Company, Milwaukee Repertory Theater, Berkeley Repertory Theatre, Seattle Repertory Theatre, Yale Repertory Theatre, Ford’s Theatre, Arena Stage, Shakespeare Theatre Company, Theater J, The Kennedy Center, Shakespeare Center of Los Angeles, Center Theatre Group, 12-year company member including 22 productions and 5 world premieres (Oregon Shakespeare Festival), and 5-year company member (Misery Loves Company). TELEVISION: Emperor of Ocean Park (MGM+); Station Eleven (HBO Max); Fargo (FX); Shining Girls (Apple TV+); Chicago Med, Chicago P.D., The West Wing (NBC); Grey’s Anatomy (ABC); Shameless (Showtime); Major Crimes (TNT). EDUCATION: Pacific Conservatory of the Performing Arts; 12 years with Scott Kaiser (Oregon Shakespeare Festival); 2 years with Ron Daniels (American Repertory Theater, The Other Place Theater). AWARDS: Helen Hayes Award (Who’s Afraid of Virginia Woolf); 2022 Lunt-Fontanne Fellow. Linington has taught for Northwestern University, DePaul University, Lake Forest College, Aurora University, Georgetown University, Southern Oregon University, Shakespeare Theatre Company, and the Oregon Shakespeare Festival. gregorylinington.com.
Sándor Menéndez
CHICAGO SHAKESPEARE: Debut. CHICAGO: Juan Preciado in Pedro Páramo (Goodman Theatre/ Teatro Buendía, Cuba); Aguijón Theater. INTERNATIONAL: 10-year company member and various productions including international theater festivals (Teatro Buendía, Cuba). Menéndez is a Cuban actor, director, and teaching artist. He has directed numerous productions, with standouts such as the world premieres of Abel González Melo’s Within and Epopeya, Rey Andujar’s Adverses, and Ariel Dorfman’s Death and the Maiden. EDUCATION: Havana’s Instituto Superior de Arte.
Felicia Oduh
CHICAGO SHAKESPEARE: Short Shakespeare! Romeo and Juliet, Measure for Measure. CHICAGO: Noises Off (Steppenwolf Theatre Company); The Nacirema Society (Goodman Theatre); Alaiyo (Definition Theatre); Hand to God (Paramount Theatre). REGIONAL: Pipeline (TheatreWorks Colorado Springs). TELEVISION: Shining Girls (Apple TV+); 4400 (The CW); How to L0ve (OTV). EDUCATION: BA in theatre, Northwestern University. AWARDS: 2024 Definition Theatre Amplify New Play Commission Winner; 2023 Kilroys Web; 2021 Reva and David Logan Foundation Artist Grant.
Adam Poss
CHICAGO SHAKESPEARE: Antonio in Twelfth Night, Angelo in Measure for Measure. BROADWAY: Peter Morgan’s Patriots (Ethel Barrymore Theatre). CHICAGO: Oedipus in Oedipus el Rey, Queen (Victory Gardens Theater); A Doll’s House (Writers Theatre); 2666, Teddy Ferrara, The Magic Play, The Solid Sand Below, A Christmas Carol (Goodman Theatre); 1984, Animals Out of Paper (Steppenwolf Theatre Company); The Lake Effect, Scorched (Silk Road Rising); Passage (Remy Bumppo Theatre Company); The Beats (16th Street Theater). REGIONAL: Lady Macbeth in Robert O’Hara’s Macbeth (Denver Center Theatre); Actors Theatre of Louisville, Studio Theatre, Milwaukee Repertory Theater, Indiana Repertory Theatre, Kansas City Repertory Theatre, Ensemble Theatre Company, TheatreWorks, St. Louis Shakespeare. FILM: The Middle Distance, Bar Fight!, Another Happy Day, All Happy Families, The Drunk, The King of U.R.L.’s, Speed Dating. TELEVISION: Paper Girls (Amazon); Chicago Med, Chicago Fire, Chicago PD (NBC); The Big Leap, Empire, Controversy, No Apologies, The Chicago Code, The Mob Doctor, Crisis (FOX); Shameless (Showtime). EDUCATION: BFA, The Theatre School, DePaul University. www.adamposs.com
Ana Santos
CHICAGO SHAKESPEARE: Debut. CHICAGO: La Gran Tirana: Descarga Dramatica, Casa Propia, Romeo and Juliet, Epopeya (Aguijón Theater); In the Heights, Just Like Us (Visión Latino Theatre Company). REGIONAL: La Casa de Bernarda Alba (LatinUs Theater Company). INTERNATIONAL: Exersice of Style (Franche- Comté Theater Festival); Six Characters in Search of an Author, Hamlet, Gato Negro, The Chairs (Atelier Teatral). EDUCATION: University of Nebrija, Madrid, and University of Puerto Rico. AWARDS: 2018 3Arts Make a Wave, 2019 Alta Award – Outstanding Solo Performance and Outstanding Actor in a Principal Role, 2020 Chicago Latino Best Actress Award.
Robert Schleifer
CHICAGO SHAKESPEARE: Debut. CHICAGO: The Heart Is a Lonely Hunter (Steppenwolf Theatre Company); A Christmas Carol (Goodman Theatre); Hamlet Dreams, Equus, Our Town, Pope Joan (Bailiwick Chicago); Police Deaf Near Far (Stage Left Theatre); Susan Zeder’s The Edge of Peace (Northwestern University); Signs (The Gift Theatre Company). NATIONAL BROADWAY TOUR: Big River (Deaf West Theatre). REGIONAL: A Thousand Faces: The Lon Chaney Musical (The Encore Musical Theatre Company); Our Town (Actors Theatre of Louisville); Much Ado About Nothing (Amaryllis Theatre Company); The Tempest (Milwaukee Shakespeare); The Edge of Peace (Seattle Children’s Theatre). OPERA: Bernstein’s Mass (Lawrence University Opera). EDUCATION: Rochester Institute of Technology, University of Rochester, Northwestern University. AWARDS: After Dark Outstanding Performance (Equus), Best Ensemble (Police Deaf Near Far), Jeff Award (Musical, Pope Joan), 3Arts Award, 3Arts Fellowship (University of Illinois – Chicago), Kathryn V. Lamkey Award. Instagram: @robertimages www.robertschleifer.com
Lanise Antoine Shelley
CHICAGO SHAKESPEARE: Short Shakespeare productions of Macbeth, A Midsummer Night’s Dream, Shakespeare in the Parks The Comedy of Errors. CHICAGO: Lookingglass Theatre Company, Goodman Theatre, Steppenwolf Theatre Company. REGIONAL: American Repertory Theater, Outside the Wire; Santa Cruz Shakespeare, Kansas City Repertory Theatre, Indiana Repertory Theatre; and 5 years as resident company member of Milwaukee Repertory Theater. INTERNATIONAL: Macbeth, Aeneid, All My Sons (Stratford Shakespeare Festival); Nutcracker Turbo (Moscow Art Theatre). FILM: Discovery World, Fresh Hell, I Didn’t Mean to Go Mental, The Inner Room, Macbeth HD. TELEVISION: Saturdays (Disney); Empire (FOX), Chicago Fire, Chicago Med (NBC). EDUCATION: MFA, ART/ MXAT, Harvard University; BFA, Cornish College of the Arts; Certificate, British American Drama Academy in Oxford, England. AWARDS: Fellowships include Stratford Shakespeare Festival’s Chicago Fellow 2016, Victory Gardens Theater’s Directing Fellow 2019, and Drama League Classical Directing Fellow 2021. www. laniseantoineshelley.com @lantoines
Ajax Dontavius
CHICAGO SHAKESPEARE: Debut. CHICAGO: Fences (American Blues Theater); Middle Passage (Lifeline Theatre); MiLK: Podcast Play (Ma’at Production Association of Afrikan Centered Theatre). TELEVISION: Chicago PD (NBC); 61st Street (AMC). EDUCATION: BFA in acting, Chicago College of Performing Arts of Roosevelt University.
Tina El Gamal
CHICAGO SHAKESPEARE: Debut. CHICAGO: Through the Elevated Line, Twice, Thrice, Frice (Silk Road Rising); I Call My Brothers (Interrobang Theatre Project); Much Ado About Nothing (Oak Park Festival Theatre); Young Playwrights Festival (Pegasus Theatre Chicago); Passage (Remy Bumppo Theatre Company); Light Falls (Steep Theatre Company). EDUCATION: BFA in theater performance, University of Illinois Chicago. El Gamal is the managing director of Jackalope Theatre Company and was featured in New City’s Players 50, 2022.
Dani Goldberg
CHICAGO SHAKESPEARE: Debut. CHICAGO: Robin in Something Rotten!, Tomás and the Library Lady, Re: Click (Northwestern University); The Emperor’s New Clothes (Virginia Wadsworth Wirtz Center for the Performing Arts); Feste in Twelfth Night (Lovers and Madmen); Protagonist in Outdoor Bird (Lipstick Theatre); Godspell (Arts Alliance Illinois); Without Wings (Purple Crayon Players); State of the Art (The Waa-Mu Show). FILM: Grief Night Club. EDUCATION: BA in theatre and Certificate in musical theatre, Northwestern University, Kibbutz Contemporary Dance Company Intensive, The Actors Gymnasium. Goldberg is a teaching artist at The Play Group Theatre in White Plains, New York. (they/them)
Sonia Goldberg
CHICAGO SHAKESPEARE: Corduroy, Measure for Measure. CHICAGO: CHICAGO: Pippin (Music Theater Works); A Midsummer Night’s Dream (Oak Park Festival Theatre); American Psycho (Kokandy Productions); Songs for Nobodies (Northlight Theatre); Once Upon a Mattress (Theo Ubique Cabaret Theatre); Wake Up, Brother Bear! (Chicago Children’s Theatre); The Man Who Was Thursday (Lifeline Theatre); I Am Going to Die Alone and I Am Not Afraid (Prop Thtr); As You Like It, Twelfth Night (Midsommer Flight); The Snow Queen (Filament Theatre). REGIONAL: King Lear, Twelfth Night (Montana Shakespeare in the Parks). EDUCATION: BA in theatre, Butler University; Certificates from LAMDA and The Moscow Art Theatre School.
Jalbelly Guzmán
CHICAGO SHAKESPEARE: Debut. CHICAGO: Romeo and Juliet (Teatro Vista); Killed a Man (Joking) (First Floor Theater/The Sound); Virgins (Jackalope Theatre Company); Laced (About Face Theatre). REGIONAL: West Side Story (The Encore Musical Theatre Company). EDUCATION: BFS in musical theatre, Chicago College of Performing Arts, Roosevelt University.
Michael Joseph Mitchell
CHICAGO SHAKESPEARE: Duke/Lucio in Measure for Measure, The Wizard in The Wizard of Oz, Sir Davison/Count Bellievre in Schiller’s Mary Stuart. CHICAGO: Spring Awakening (Porchlight Music Theatre); Will Shakespeare in Elizabeth Rex (Oak Park Festival Theatre); My Fair Lady (Lyric Opera of Chicago); Assassination Theater (Museum of Broadcast Communications); A Midsummer Night’s Dream, The Winter’s Tale, The Merchant of Venice (First Folio Theatre); The Goat or, Who is Sylvia? (Remy Bumppo Theatre Company); Underneath the Lintel (City Lit Theater Company); Scrooge, Bob Cratchit in A Christmas Carol (Drury Lane Theatre). REGIONAL: Asolo Repertory Theatre, Syracuse Stage, Indiana Repertory Theatre, BoarsHead Theater, Colonial Theatre. FILM: Falsely Accused; Scrooge & Marley. TELEVISION: Chicago Fire (NBC). EDUCATION: Drake University; National Theater Institute; Théâtre des Amandiers, France.
Jeff Parker
CHICAGO SHAKESPEARE: The Lord of the Rings: A Musical Tale, Measure for Measure, As You Like It, The King’s Speech, King Charles III, Cymbeline, The Three Musketeers, Timon of Athens; understudy in Schiller’s Mary Stuart, Red Velvet. CHICAGO: Parade, Days Like Today, Isaac’s Eye (Writers Theatre); Betrayal Wonderful Town,Camino Real, Bounce, Turn of the Century, Floyd Collins, The House of Martin Guerre (Goodman Theatre); The Da Vinci Code, Mamma Mia!, Young Frankenstein, Fiddler on the Roof (Drury Lane Theatre); Discord, Mothers and Sons (Northlight Theatre); The Secret Garden (Court Theatre); Samsara (Victory Gardens Theater); The Brother/Sister Plays (Steppenwolf Theatre Company); Nine (Jeff Award nomination, Porchlight Music Theatre). REGIONAL: Candide (Huntington Theatre Company); My Fair Lady (Asolo Repertory Theatre); 1776 (American Conservatory Theater); The American in Me (Magic Theatre); Winesburg, Ohio (Kansas City Repertory Theatre). TELEVISION: Chicago Fire, Chicago Med, Chicago P.D. (NBC); Soundtrack (Netflix) The Big Leap, Empire, Prison Break (FOX) The Chi (Paramount Plus); EDUCATION: BFA in acting, University of Southern California. @jeffparkeractor, jeffparkeractor.com
Laila Rodriques
CHICAGO SHAKESPEARE: Debut. CHICAGO: All Quiet on the Western Front (Red Tape Theatre), Letters Home (Griffin Theatre). EDUCATION: BFA in acting, DePaul University.
Arik Vega
CHICAGO SHAKESPEARE: Measure for Measure, Chicago Shakespeare Slam. CHICAGO: In The Heights, Gypsy (Marriott Theatre); Clyde’s (Goodman Theatre); Evita, Holiday Inn (Drury Lane Theatre). REGIONAL: Cleveland Play House, The Fireside Theatre, Studio Tenn, The Warehouse Theatre. TELEVISION: Chicago Fire (NBC). EDUCATION: BFA in musical theatre, Belmont University; SAFD Certification in unarmed and knife. AWARDS: 2019 ALTA Award.
Aly Easton
Access Coordinator
Joseph E. Disbrow
Associate Sound Designer
Meike Schmidt
Assistant Lighting Designer
Parker Langvardt
Projection Programmer
Aly Easton
Access Coordinator
Joseph E. Disbrow
Associate Sound Designer
Meike Schmidt
Assistant Lighting Designer
Parker Langvardt
Projection Programmer
Henry Godinez
CHICAGO SHAKESPEARE: Directing debut. CHICAGO: Fannie, American Mariachi, Boleros for the Disenchanted, The Cook, Sins of Sor Juana, Zoot Suit, Electricidad, Feathers and Teeth, Cloud Tectonics, A Christmas Carol (Goodman Theatre); Water by the Spoonful (Court Theatre); Last Stop on Market Street, A Year with Frog and Toad (Chicago Children’s Theatre); Anna in the Tropics (Victory Gardens Theater); The Crossing, Broken Eggs, Santos and Santos (Teatro Vista). REGIONAL: Seattle Repertory Theatre, Oregon Shakespeare Festival, Asolo Repertory Theatre, Arena Stage, Studio Theatre, Dallas Theatre Center, Cleveland Play House, The Eugene O’Neill Theater Center, Yale Repertory Theatre, Signature Theatre, The Children’s Theatre Company, Denver Center Theatre. He is chair and professor of theatre at Northwestern University and resident artistic associate at Goodman Theatre. As an actor, Godinez has frequently appeared on Chicago Shakespeare’s stages in Cymbeline, Much Ado About Nothing, King John, King Lear, Henry V, Twelfth Night, and Troilus and Cressida.
Rasean Davonté Johnson
CHICAGO SHAKESPEARE: Measure for Measure, It Came From Outer Space. CHICAGO: The Book of Grace, The Brothers Size, The Great Leap, Ms. Blakk for President, La Ruta, The Burn, You Got Older, BLKS (Steppenwolf Theatre Company); Betrayal, Lucha Teotl, Fannie (Goodman Theatre); Frankenstein, Lula Del Ray, Fjords (Manual Cinema); Her Honor Jane Byrne (Lookingglass Theatre). OFF BROADWAY: The Public Theatre, The Sheen Center. REGIONAL: Yale Repertory Theatre, Long Wharf Theatre, Oregon Shakespeare Festival, Geva Theatre Center, McCarter Theatre Center, Berkeley Rep, Alliance Theatre, Seattle Rep. INTERNATIONAL: Farewell My Concubine (Ningbo Song and Dance Theatre); Damage Joy (BFloor Theatre). OPERA: The Central Park Five (Portland Opera); Freedom Ride (Chicago Opera Theatre); Die Kathrin (Chicago Folks Operetta); Blue (Toledo Opera); La Cenerentola (Yale Opera); Cunning Little Vixen (Opera Theatre at Yale College). CONCERT: The March to Liberation (NY Phil). EDUCATION: MFA in stage design, Yale University School of Drama. AWARDS: Joseph Jefferson Award, Michael Maggio Emerging Designer Award, Robert L. Tobin Director-Designer Showcase. Johnson is the director of design for TAPS at the University of Chicago.
Raquel Adorno
CHICAGO SHAKESPEARE: I, Banquo. CHICAGO: Intimate Apparel (Northlight Theatre); Wife of a Salesman (Writers Theatre); The Tragedy of Othello, The Moor of Venice (Court Theatre); Mies Julie (Victory Gardens Theater); Unelectable You (The Second City); D.O.A. (Strawdog Theatre Company); Murder Ballad, CARRIE (Bailiwick Chicago). REGIONAL: The Tempest, Intimate Apparel (Utah Shakespeare Festival); A Raisin in the Sun, The Taming of the Shrew, Cymbeline, A Doll’s House, A Doll’s House, Part 2 (American Players Theatre). EDUCATION: MFA, Northwestern University. AWARDS: The Michael Maggio Award 2022, The Michael Merritt Academic Achievement Prize for Collaborative Design 2019. www.raqueladorno.com
María-Cristina Fusté
CHICAGO SHAKESPEARE: Debut. CHICAGO: American Mariachi (Goodman Theatre). BROADWAY: Jagged Little Pill, 2021 Remount Associate LD. OFF BROADWAY: Songs About Trains (Working Theater/Radical Evolution); Fur, Mud, The Conduct of Life (Boundless Theatre Company). REGIONAL: Cleveland Playhouse, Alabama Shakespeare Festival, Bay Street Theater; Anna in the Tropics (Barrington Stage Company); Airness (Geva Theatre Center); Children of Eden (Aurora Theatre); Sweat (People’s Light Theater); In the Heights (Westport Country Playhouse); The Heath (Merrimack Repertory Theater). OPERA: Cecilia Valdés (Teatro Colón); Tosca, Bluebeard’s Castle, Madama Butterfly, Don Pasquale, L’Elisir d’Amore (Ópera de Puerto Rico). EDUCATION: MFA in lighting design, NYU’s Tisch School of the Arts. AWARDS: Princess Grace Award 2018, Suzi Bass Award 2016/2017, Nomination for Outstanding Lighting Design on a Musical 2019 (Atlanta, GA). Fusté is the executive artistic director of Boundless Theatre Company: www.boundlesstheatre.org. www.mcfuste.com
André Pluess
CHICAGO SHAKESPEARE: Macbeth, Romeo and Juliet. CHICAGO: Goodman Theatre, Steppenwolf Theatre Company, Court Theatre. BROADWAY: Good Night Oscar (Belasco Theatre); The Minutes (Cort Theatre/Studio 54); 33 Variations (The Eugene O’Neill Theatre); I Am My Own Wife (Lyceum Theatre); Metamorphoses (Circle in the Square). OFF BROADWAY: The Clean House (Lincoln Center); Milk Like Sugar, BFE (Playwrights Horizons). REGIONAL: Oregon Shakespeare Festival, Center Theatre Group, Yale Repertory Theatre, Arena Stage, Berkeley Repertory Theatre, Williamstown Theatre Festival, La Jolla Playhouse, Huntington Theatre Company, South Coast Repertory. AWARDS: multiple Joseph Jefferson Awards, Ovation Award, New York Drama Critics’ Circle Award, Barrymore Award, Helen Hayes Award, Drama Desk Award, Lucille Lortel nominations for composition and design. Pluess is an ensemble member of Lookingglass Theatre Company.
Richard Jarvie
CHICAGO SHAKESPEARE: As You Like It, Emma, The King’s Speech, The Wizard of Oz, Romeo and Juliet, Hamlet, A Midsummer Night’s Dream, Nell Gwynn, Peter Pan – A Musical Adventure, Macbeth, Schiller’s Mary Stuart, Red Velvet, The Taming of the Shrew, Madagascar, Shakespeare in Love, Chicago Shakespeare in the Parks productions of The Comedy of Errors, A Midsummer Night’s Dream, and Romeo and Juliet, Short Shakespeare! productions of Romeo and Juliet, A Midsummer Night’s Dream; Macbeth, Love’s Labor’s Lost, King Charles III; the inaugural season of Chicago Shakespeare on Navy Pier. CHICAGO: Goodman Theatre, Court Theatre, Steppenwolf Theatre Company, Drury Lane Theatre Oakbrook, twenty-eight years with Lyric Opera of Chicago, eleven of them as wig master and make-up designer. REGIONAL: Alliance Theatre, McCarter Theatre, Guthrie Theater (wig master). OPERA: Atlanta Opera, San Francisco Opera, Hawaii Opera, Chicago Opera Theatre, Saint Louis Opera, the Spoleto Festivals of Charleston, South Carolina, and Italy. INTERNATIONAL: Tom Patterson Theatre in Stratford, Ontario.
Orbert Davis
CHICAGO SHAKESPEARE: Debut. CHICAGO: Chicago Jazz Philharmonic (co-founder/artistic director); Discover Music Discover Life (cofounder/ CEO); Paradise Blue (composer, TimeLine Theatre Company); Mountaintop (trumpet soloist, Court Theater). REGIONAL: Joe Turner’s Come and Gone (sound design team/composer, Missouri Repertory Theatre). FILM: DuSable to Obama: Chicago’s Black Metropolis (composer, WTTW/ PBS), Road to Perdition (jazz consultant/ arranger/band leader); Beauty Rises: Four Lives in the Arts (featured artist/composer, WTTW/PBS); Infiniti in Black (featured artist, composer); The Babe (arranger/band leader); Jonathan Young in The Roommate. EDUCATION: BA in trumpet performance, DePaul University; MA in jazz pedagogy, Northwestern University; Honorary Doctorate in humane letters, Governor’s State University. AWARDS: Jeff Award – Best Original Compositions, Emmy Award – Best original music/music production, DuSable to Obama. Davis is the host of The Real Deal with Orbert Davis on 90.9FM WDCB.
Jorge Amado Molina
CHICAGO SHAKESPEARE: Debut. FILM: El mundo de Nelsito, Aislados. DOCUMENTARY: Súlkary, Ramiro… siempre la danza. DANCE: Allegro danzante, La meta. EDUCATION: BA in composition, University of the Arts (Cuba); BA in violin performance, University of the Arts (Cuba). AWARDS: Ojalá Symphonic Creation Prize (2018), First Prize of the String Quartet Composition Competition “Nuestra América” (2019, Mexico), Cubadisco 2022 Award. DISCOGRAPHY: Ofrenda. He is currently a teacher at the National School of Music of Cuba.
Melissa Blanco Borelli
CHICAGO SHAKESPEARE: Debut. CHICAGO: artistic director and choreographer Danceworks, Northwestern University. EDUCATION: PhD in critical dance studies, University of California, Riverside, MA, University of Southern California, BA, Brown University. Blanco Borelli is an associate professor and director of the dance program at Northwestern University and teaches courses across theater, dance, and performance studies.
Lia Mortensen
CHICAGO SHAKESPEARE: Romeo and Juliet, Pericles, Measure for Measure, All’s Well That Ends Well. CHICAGO: Graveyard Shift, Rabbit Hole (Goodman Theatre); Mystery of Love and Sex, Company (Writers Theatre); An Inspector Calls, Night and Day (Remy Bumppo Theatre Company); Cymbeline (First Folio Theatre); Faith Healer (The Den Theatre); The Big Meal (American Theater Company); City of Conversation, Ten Chimneys, Lady Windermere’s Fan, Sky Girls, Talley’s Folly (Northlight Theatre); No Wake (Route 66 Theatre); Merchild (16th Street Theatre); Closer, Faith Healer (Steppenwolf Theatre Company); Fighting Words (Rivendell Theatre Ensemble); Well, A Doll’s House, Macbeth, The Illusion (Next Theatre Company); Ghosts, All’s Well That Ends Well, Measure for Measure, Serious Money (Court Theatre). FILM: A Nightmare on Elm Street (2010), Blink, Consumed, Market Value, View from Tall, Resurrecting McGinns, Soul Sessions. TELEVISION: Empire, Chicago Code (FOX); Shameless (Showtime); Chicago Med, Chicago Fire, Crisis (NBC); Mix Tape (Netflix); Electric Dreams (Amazon Prime); Easy Abby (YouTube TV); The Onion (IFC); Family Practice (ABC).
Sarah Scanlon
CHICAGO SHAKESPEARE: It Came From Outer Space, All’s Well That Ends Well, As You Like It. CHICAGO: Selected credits include Zurich (Steep Theatre); Djembe! The Show (Apollo Theatre Chicago); I Know My Own Heart, Southern Comfort (Pride Films & Plays); Between Riverside and Crazy (Redtwist Theatre); Head Over Heels (Kokandy Productions); Mad Beat Hip & Gone (Promethean Theatre Ensemble); The Rover (DePaul University); Legally Blonde (Northwestern University); Neither (Lifeline Theatre). REGIONAL: As You Like It (Milwaukee Repertory Theater). TELEVISION: Ripple Effects (Apple+); Somebody Somewhere (HBO); The Chi (Showtime); Finesse (VAM Studios); Fargo (FX); Damaged Goods (VAM Studios). EDUCATION: MFA in acting, American Repertory Theatre/Moscow Art Theatre School; Intimacy for the Stage Instructor: Oregon Shakespeare Festival, The Raleigh Little Theatre. Scanlon is a certified Intimacy Director and Coordinator with IDC Professionals and Intimacy Directors International.
Maya Vinice Prentiss
Maya Vinice Prentiss is an SAFD certified actor-combatant, fight choreographer and dialect coach. Chicago performance credits include An Octoroon (Definition Theatre Company); Clyde’s, How to Catch Creation, School Girls; or, the African Mean Girls Play (Goodman Theatre); Rome Sweet Rome, Romeo and Juliet (Chicago Shakespeare Theater); Marie Antoinette and the Magical Negroes (The Story Theatre); and Eclipsed (Pegasus Theatre Company). Regional credits include School Girls; or, the African Mean Girls Play (TheatreSquared); As You Like It, Pride and Prejudice, Caesar (Illinois Shakespeare Festival); and Origin Story (Illinois Theatre). Fight choreography credits include Steppenwolf Theatre, Chicago Shakespeare Theater, Definition Theatre, The Story Theatre and The Impostors Theatre. Dialect coaching credits include Goodman Theatre and The House Theatre. Prentiss has a BFA in Drama from Spelman College and an MFA in Acting from University of Illinois at Urbana-Champaign. She received a Jeff Award (Best Fight Choreography) for Ethiopianamerica.
Maria de Los Angeles Torres
Maria De Los Angeles Torres is a distinguished Liberal Arts & Sciences professor of Latin American and Latino studies at the University of Illinois Chicago. She has written extensively on Latinos, Cuba, and Cuban exiles and has authored In the Land of Mirrors: The Politics of Cuban Exiles in the United States and The Lost Apple: Operation Pedro Pan, Cuban Children in the US and the Promise of a Better Future; co-authored Citizens in the Present: Civically Engaged Youth in the Americas, edited By Heart/De Memoria: Cuban Women’s Journeys in and Out of Exile and co-edited Borderless Borders Latinos, Latin American and the Paradoxes of Interdependence and Global Cities and Immigrant: The Case of Chicago and Madrid. She has recently completed a manuscript The Elusive Present: Democracy’s Time in Cuban Thought and is working on a project on the impact of Cuba’s war in Angola on Cubans on the island and abroad. She is an interdisciplinary scholar who has contributed to art history projects, including compiling a virtual collection of One Hundred Years of Chicago Latino Art and Chicago Latino Art Virtual Gallery.
Hamid Dehghani
CHICAGO SHAKESPEARE: Debut. CHICAGO: Bengal Tiger at the Baghdad Zoo, Eurydice, A Moment of Silence (Northwestern University); Reportage of a Room, Story in a Box, Picnic (Grass Studio Theatre); The Lady from the Sea (assistant director, Court Theatre). INTERNATIONAL: Sohrab’s Transgression (Entezami Theater, Tehran); From the Environs of Milad (Iranshahr Theater); Nathan and Tabileth (Khurshid Theatre). OPERA: Eurydice (assistant director, The Metropolitan Opera). EDUCATION: MFA in directing, Northwestern University. AWARDS: Best Director, Playwriting, and Acting awards from various international festivals in Iran.
Alyssa Mohn
Alyssa Mohn (Scenic Designer) CHICAGO SHAKESPEARE: Short Shakespeare! A Midsummer Night’s Dream, Short Shakespeare! Romeo and Juliet. CHICAGO: At the Wake of a Dead Drag Queen (The Story Theatre); Herland, Keely and Du (Redtwist Theatre); Pineapple (Irish Theatre of Chicago); I Am Going To Die Alone and I Am Not Afraid, The Clean Up (Prop Thtr); Annual Young Playwrights Festival 33, 36 (Pegasus Theatre Chicago). REGIONAL: Urbanite Theatre, Third Avenue Playworks. EDUCATION: BFA, DePaul University. Mohn teaches Scene Painting at the University of Chicago.
Michael Salvatore Commendatore
CHICAGO SHAKESPEARE: Debut. CHICAGO: When Harry Met Rehab (Greenhouse Theater Center); Let’s Explore! (Chicago Symphony Orchestra); Oresteia (Watts Theatre); Knuffle Bunny: A Cautionary Musical (Emerald City Theatre); Oh! Colonizers, Encounter Series (Collaboraction); Little Red Cyrano (Strawdog Theatre Company) REGIONAL: Spoleto Festival USA, Public Theater, Portland Stage, Music Theatre Wichita, Boston Lyric Opera, Le Petit Theatre, The Rose Nagelberg Theatre, Vancouver Fringe Festival, Yale Repertory Theatre, The Gamm Theatre, The Wilbury Theatre Group. EDUCATION: MFA in design, Yale School of Drama. MichaelCommendatore.com
Bob Mason
CHICAGO SHAKESPEARE: 150 plus productions over 24 years, including 35 plays in Shakespeare’s canon under current Artistic Director Edward Hall and Founding Artistic Director Barbara Gaines. Also at CST: nine productions of Stephen Sondheim musicals under the direction of Gary Griffin. CHICAGO: Bounce, Light in the Piazza (Goodman Theatre); REGIONAL: SIX (CST, American Repertory Theater–Artios Award, Ordway Center, The Citadel); Ride the Cyclone (CST, Fifth Avenue Theatre/A Contemporary Theater, Alliance Theatre); OFF-BROADWAY: Ride the Cyclone (MCC); Rose Rage: Henry VI, Parts 1, 2 and 3, directed by Artistic Director Edward Hall (The Duke on 42nd Street); Marionette Macbeth (New Victory); BROADWAY: SIX, The Notebook; INTERNATIONAL: The Lord of the Rings: A Musical Tale (Auckland, NZ); Pacific Overtures (Donmar Warehouse–Olivier Award, Outstanding Musical); Henry IV, Parts One and Two (RSC). Prior to casting, Mason enjoyed a career as a Joseph Jefferson Award-winning actor and singer and has been a visiting educator at Northwestern University and multiple college programs across the country.
Jinni Pike
CHICAGO SHAKESPEARE: Judgment Day, Measure for Measure, It Came From Outer Space, The King’s Speech, SIX, Schiller’s Mary Stuart, Ride the Cyclone. CHICAGO: Billy Elliot, Little Shop of Horrors, Into the Woods, Sweat, Kinky Boots, Beauty and the Beast, The Producers, The Wizard of Oz, Once, Elf the Musical, Sweeney Todd, The Little Mermaid, Hairspray, The Who’s Tommy (Paramount Theatre); Nightwatch (Goodman Theatre); Bakersfield Mist, Danny Casolaro Died for You, The How and the Why, A Raisin in the Sun, Wasteland (TimeLine Theatre Company); Hillary and Clinton (Victory Gardens Theater). REGIONAL: Heart of America Shakespeare Festival, Unicorn Theatre, Kansas City Repertory Theatre.
Shannon Golden
CHICAGO SHAKESPEARE: Chicago Shakespeare in the Parks production of The Hero Within and A Midsummer Night’s Dream, Measure for Measure I, Banquo, Short Shakespeare! The Comedy of Errors, Q Brothers Christmas Carol, Fight Night CHICAGO: Frankenstein, Act(s) of God, Plantation!, Hard Times, Moby Dick, Thaddeus and Slocuum: A Vaudeville Adventure (Lookingglass Theatre Company); The Very Hungry Caterpillar, Frederick (Chicago Children’s Theatre); The King of the Yees, Uncle Vanya, Carlyle, Soups Stews and Casseroles: 1976, Feathers and Teeth (Goodman Theatre); The Mutilated, Simpatico (A Red Orchid Theatre); This Wonderful Life (American Blues Theater). REGIONAL: Peninsula Players Theatre. EDUCATION: BS in stage management, Ball State University.
Elisabeth Schapmann
CHICAGO SHAKESPEARE: Measure for Measure, As You Like It, All’s Well That Ends Well, Remember This: The Lesson of Jan Karski. CHICAGO: Where We Belong (Goodman Theatre). EDUCATION: BFA in stage management, University of Illinois at Urbana-Champaign.
