Welcome
Welcome to Windsor and this very special celebration of The Merry Wives of Windsor in all of its glory. Written somewhere around 1600 at the request of Queen Elizabeth I, it is a huge pleasure to bring together this stellar cast and creative team under the expert guidance of director Philip Breen. This production expresses everything we endeavor to create with Shakespeare at Chicago Shakespeare Theater—to produce his work at scale and treat him as the modern writer he was and continues to be. Producing Shakespeare with a large cast of 22 actors in the Jentes Family Courtyard Theater at this level is thrilling and a real joy!
It is only possible with your support and those like you who believe so passionately in celebrating the live art of theater. Your participation as an audience member, a donor, and a champion for Shakespeare is so meaningful to us. You allow us to dream big and to continue to bring you the highest quality productions of Shakespeare and contemporary work from Hamnet to Hamlet and Ian McKellen to Much Ado About Nothing. It has been a busy and rewarding time as we look forward to the bright shoots of Spring and the sunshine that this joyful play brings us.
Thank you for being here and have a wonderful journey through this unforgettable Windsor Town—
EDWARD HALL
Artistic Director
Carl and Marilynn Thoma Chair
KIMBERLY MOTES
Executive Director
presents
Written by WILLIAM SHAKESPEARE
Directed by PHILLIP BREEN
Premiere Production Sponsors
The Jentes Family
Ray and Judy McCaskey
Principal Production Sponsor
Brenda and James Grusecki
Lead Production Sponsor
Greg Gallopoulos
Associate Production Sponsor
Nicholas and Mary Babson Fund to Support Chicago Actors
Audience Notice: As a courtesy to the artists and your fellow theatergoers, please turn off your cell phones and all other electronic devices. Photography, video, and audio recording are strictly prohibited during the show. For your safety, we ask that you keep aisles and doorways clear. If you need to step out while the show is in progress, theater staff may ask you to wait in the lobby before re-entering, and it may not be to your original seat. If we can help accommodate you during your visit, please speak with our House Manager.
Cast
Sam Bell-Gurwitz
CHICAGO SHAKESPEARE: Debut. CHICAGO: Leopoldstadt (Writers Theatre, upcoming); Goodnight, Oscar, White Monkey (Goodman Theatre); The Boys in the Band (Windy City Playhouse); A Shayna Maidel (TimeLine Theatre Company); Three Sisters (UV Theater Project). BROADWAY: Goodnight, Oscar. REGIONAL: Who’s Afraid of Virginia Woolf? (Gulfshore Playhouse); The Glass Menagerie (Indiana Repertory Theatre). TELEVISION: NeXt (FOX), The Thing About Harry (Freeform). EDUCATION: BFA in theater, University of Michigan. Sam is proudly represented by Stewart Talent.
Zach Bloomfield
CHICAGO SHAKESPEARE: Debut. CHICAGO: Prayer for the French Republic (Northlight Theatre/Theater Wit, Jeff Award Nomination-Ensemble); The Lehman Trilogy, Trouble in Mind (Timeline Theatre Company); The Heavens are Hung in Black, The Whaleship Essex, Hannah and Martin (Shattered Globe Theatre); All’s Well that Ends Well, The Tempest, The Winter’s Tale (Shakespeare Project of Chicago); Polonius in Hamlet (Red Theater); and productions at many storefront theaters including Eclipse Theatre Company where he was an ensemble member. FILM: Runner TELEVISION: Zen Room (Pilot); Zach is professor emeritus at Joliet Junior College. Represented by Big Mouth Talent.
Nate Burger
CHICAGO SHAKESPEARE: Mercutio in Romeo & Juliet, Berowne in Love’s Labor’s Lost, The Heir Apparent, Short Shakespeare! A Midsummer Night’s Dream. CHICAGO: Rosencrantz & Guildenstern are Dead, Titanic (Scenes from…) (Court Theatre); A Number, The Liar (Writers Theatre); Mansfield Park, Butler (Northlight Theatre); Wasteland, ‘Master Harold’…And the Boys (TimeLine Theatre Company), A Christmas Carol (Goodman Theatre). REGIONAL: Milwaukee Repertory Theater, Asolo Repertory Theatre, Forward Theater Company, Two Crows Theatre, and 14 seasons with American Players Theatre. FILM: The Year Between. TELEVISION: Emperor of Ocean Park (MGM+), Shining Girls (Apple TV), Chicago Med (NBC), Chicago Fire (NBC). EDUCATION: Loyola University Chicago.
Rohan Rhys Degala
CHICAGO SHAKESPEARE: Debut. CHICAGO: Milo Imagines the World (Chicago Children’s Theatre); Carousel (Music Theatre Works); Mary Poppins in Concert; Ragtime (Metropolis Performing Arts Centre); REGIONAL: Fiddler on the Roof; Joseph and the Amazing Technicolor Dreamcoat (Skylight Music Theatre) EDUCATION/TRAINING: Actors Training Center; Voice Life Studios
Dylan J. Fleming
CHICAGO SHAKESPEARE: Twelfth Night. CHICAGO: Coronation (Refracted Theatre Company). REGIONAL: A Raisin in the Sun, A Midsummer Night’s Dream (Utah Shakespeare Festival) Kill Move Paradise (Rep Stage); Squeakers and Mr. Gumdrop (Arts on the Horizon); Day of Absence, The Raid (Theater Alliance); The Member of the Wedding (1st Stage); Macbeth (We Happy Few Productions); The Crucible (Olney Theatre Center); A Midsummer Night’s Dream, As You Like It, Much Ado About Nothing (Prince George’s Shakespeare in the Park). FILM: Patient. TELEVISION: Chicago Med (NBC). EDUCATION: BA, Jackson State University; MFA, Catholic University.
Teddy Gales
CHICAGO SHAKESPEARE: Debut. CHICAGO: The Hobbit, A Year With Frog and Toad (Young Peoples Theater); The 25th Annual Putnam County Spelling Bee (Paramount Theatre); 1776, Buddy: The Buddy Holly Story (Marriott Theatre); The Best Little Whorehouse in Texas (Theo Ubique) NATIONAL TOURS: The Spongebob Musical. TELEVISION: Chicago Fire (NBC), EDUCATION: BFA in Acting Chicago College of Performing Arts.
Colin Huerta
CHICAGO SHAKESPEARE: Much Ado About Nothing. CHICAGO: Among The Dead (Jackalope Theatre Company); Everybody, Tartuffe (The Theatre School at DePaul University); Columbinus (The Yard Theatre Company). REGIONAL: The Colony Theater. FILM: Invader, Crooks, Burrow. TELEVISION: Chicago Fire (NBC). EDUCATION: BFA in Acting, The Theatre School at DePaul University.
Chiké Johnson
CHICAGO SHAKESPEARE: Hymn. CHICAGO: Birthday Candles (Northlight Theatre); Galileo’s Daughter (Remy Bumppo Theatre Company); Toni Stone (Goodman Theatre); When Harry Met Rehab (Greenhouse Theater Center, World Premiere). BROADWAY: Time to Kill, Wit. OFF BROADWAY: Another Shot. NEW YORK: Ruined (Manhattan Theatre Club); RunBoyRun (New York Theatre Workshop); Lost in the Stars (New York City Center’s Encores). REGIONAL: Ma Rainey’s Black Bottom, King Lear (American Player’s Theatre). Johnson is a core ensemble member of Remy Bumppo Theatre.
Ora Jones
CHICAGO SHAKESPEARE: Abbess/Aemilia in Comedy of Errors, Countess in All’s Well that Ends Well, Katherine of Aragon in Henry VIII, Queen Charlotte in The Madness of George III, Maria in Twelfth Night, Lucienne in A Flea in Her Ear. CHICAGO: Venticello 1 in Amadeus, Dotty in Noises Off, The Children, Familiar, The Roommate, Olga in Three Sisters, The Brother/ Sister Plays, Middletown, Jessie Brewster in The Violet Hour (Steppenwolf Theatre Company); My Kind of Town (Timeline Theatre); Rasheeda Speaking (Rivendell Theatre); The Nacirema Society, Ah, Wilderness!, Animal Crackers, Proof, Seeking the Genesis (Goodman Theatre); The Iphigenia Cycle, Mary Stuart, My Fair Lady (Court Theatre). BROADWAY: Les Liaisons Dangeureuses, Matilda the Musical (also 1st national tour.) REGIONAL: The Angel Next Door, Peninsula Players, WI; Noises Off, Geffen Playhouse, Los Angeles; Galway Theatre Festival, Galway Ireland; Pioneer Theatre Company, Salt Lake City; Studio Theatre Washington DC, Mrs. Muller in Doubt,Weston Playhouse, VT. FILM AND TELEVISION: Stronghold, We Grown Now, Consumed, Were the World Mine, Stranger than Fiction, Emperor of Ocean Park, 61st Street, Somebody Somewhere, Betrayal, Chicago Fire. AWARDS: Black Theatre Alliance Award, After Dark Award, Chicago Magazine’s Actress of the Year
Timothy Edward Kane
CHICAGO SHAKESPEARE: twenty-one productions including Hamlet, Nell Gwynn, Tug of War: Civil Strife, A Midsummer Night’s Dream, The Comedy of Errors, A Flea in Her Ear, Love’s Labor’s Lost, Henry IV Parts 1 and 2 ( CST & RSC), King John, King Lear. CHICAGO: An Iliad (4 productions), Oedipus, All My Sons, Harvey, One Man, Two Guvnors, The Illusion, Titus Andronicus, Uncle Vanya, The Romance Cycle, Hamlet (Court Theatre); The North Plan (Steppenwolf Theatre Company); Buried Child, Hamlet, Rosencrantz and Guildenstern Are Dead, Arms and the Man (Writers Theatre); Gaslight, Birthday Candles, Faceless, Lost in Yonkers, She Stoops to Conquer (Northlight Theatre); Blood and Gifts (TimeLine Theatre Company). REGIONAL: The Mark Taper Forum, Notre Dame Shakespeare Festival, Peninsula Players, Illinois Shakespeare Festival. TELEVISION: Chicago Fire (NBC), Chicago PD (NBC), Empire (FOX). AWARDS: Jeff Awards 2025, 2012, Chicago Magazine 2012. Mr. Kane is a Professor of Acting at Loyola University Chicago.
Carmelo Kelly
CHICAGO SHAKESPEARE: Debut. CHICAGO: Gregory Cratchit/ Turkey Child/ Ignorance in A Christmas Carol (Goodman Theatre), Oliver in Oliver (Metropolis Performing Arts Centre, Beverly Arts Center),Cowboy/Newsie in Gypsy (Beverly Theatre Guild), Chip in Beauty and the Beast (Erica Heilmann Theatre). FILM: Runaway (Wonderhunt). Represented by TalentXAlexander. @carmelok500
James McCracken
CHICAGO SHAKESPEARE: Debut. FILM: Soul On Fire, Adult Children, Christmas Again?! TELEVISION: Deli Boys (HULU). TRAINING: Vagabond School of the Arts.
Olivia Pryor
CHICAGO SHAKESPEARE: Hermia/Snout in Short Shakespeare! A Midsummer Night’s Dream. CHICAGO: Cabaret (Metropolis Performing Arts Centre). TOURING: Zuma/Sweetie, u/s Mayor Goodway in the world premiere of PAW Patrol LIVE! “Heroes Unite” EDUCATION: BA in theatre and statistics, Northwestern University.
Issy van Randwyck
CHICAGO SHAKESPEARE: Short Shakespeare! A Midsummer Night’s Dream. THEATER: A triple Olivier and triple Offie Award nominee, van Randwyck has performed widely in the UK, from the West End and National Theatre to regional theaters, as well as in Europe, Australia, New Zealand and New York. FILM & TELEVISION: Blithe Spirit (Sky Cinema), Father Brown, Endeavour, The Nevers, Action Team, The Hippopotamus, Belgravia, The Danish Girl, Partners in Crime, Downton Abbey, Trial and Retribution, Christopher and His Kind, Waiting for God, Music Makers, Numbertime (5 series). RADIO: Dr Who, Star Cops, Adam Adamant, The Paternoster Gang, Survivors, Blake 7, The Man Who Knows, A Change in the Willows, Under the Net, The Hiding Place. SOUNDTRACKS: The Glory of Gershwin with Larry Adler, produced by Sir George Martin, It’s Oh So Issy, Song of Singapore, A Little Night Music, Jesus Christ Superstar, Hair, Dirty Dancing, Moll Flanders, Blithe Spirit, About Time.
Diego Sanchez-Galvan
CHICAGO SHAKESPEARE: Debut. REGIONAL: Sanctuary City (Phoenix Theatre Cultural Centre) EDUCATION: BFA in Acting, Ball State University
Nick Sandys
CHICAGO SHAKESPEARE: Othello, Romeo and Juliet. CHICAGO: Amadeus (Steppenwolf Theatre Company); Peter & The Starcatcher (Paramount Theatre); Dial M For Murder, Mr. Dickens’ Hat, Dr. Jekyll & Mr. Hyde, Pride & Prejudice (Northlight Theatre); Frankenstein, Pygmalion, An Inspector Calls, The Goat, Les Liaisons Dangereuses, The Real Thing, Tartuffe, Arcadia, No Man’s Land, Hapgood (Remy Bumppo Theatre Company); Jeeves Intervenes, Captain Blood, Turn of the Screw, Blithe Spirit, Twelfth Night, Much Ado About Nothing (First Folio Theatre); The Man Who Murdered Sherlock Holmes (The Mercury Theater); Oedipus Complex (Goodman Theatre); Around The World In 80 Days (Lookingglass Theatre Company); The Misanthrope (Next Theatre Company). OFF BROADWAY: Sherlock Holmes & The Hands Of Othello. REGIONAL: Syracuse Stage, Cleveland Play House, Fort Worth Shakespeare in the Park, Stage West. EDUCATION: Cambridge University, Loyola University Chicago. AWARDS: Meier Foundation 2011, Audiofile Earphones Award 2018. Sandys has been adjunct faculty at The Theatre School at DePaul University since 1994. www.nicksandys.com
Jason Simon
CHICAGO SHAKESPEARE: Debut. OFF BROADWAY: Show Boat, I Am Harvey Milk, Paint Your Wagon, A Tree Grows in Brooklyn. OFF OFF BROADWAY: The Bridge, A Bit Too Much About Me, For Goodness Sake, Sitting Pretty, Silk Stockings, Plagued: A Love Story, Birdseed. NATIONAL TOURS: Parade, Sister Act, The Wizard of Oz, The Producers, Cats, Scarlet Pimpernel, Funny Girl. REGIONAL: Northern Stage, Theatre Workshop of Nantucket, Pioneer Theatre Company, Guthrie Theater, Fulton, Cape Playhouse, Barrington Stage Company, Gulfshore Playhouse, Festival 56 (Co-Founder), Maine State, Buck’s County, Merry-Go-Round Playhouse, The Fireside Theatre, Argyle Theatre, Ogunquit Playhouse, Seaside, Seacoast Repertory Theatre, Arizona Broadway Theatre, freeFall Theatre Company, Weathervane Theatre, Palace, La Comedia Dinner Theatre, Fiddlehead Theatre Company, Transcendence Theatre Company. OPERA: The Merry Widow, Die Fledermaus (The Metropolitan Opera). FILM: An Angry Boy, Easter Mysteries, SpongeBob 2: Sponge Out of Water. TELEVISION: NFL Slimetime, Drew Barrymore Show, Bull, Little Voice, I’d Kill For You, White Collar. jasonEsimon.com
Paul Oakley Stovall
CHICAGO SHAKESPEARE: Twelfth Night (Jeff nomination). CHICAGO: As You Like It (Writers); Goodman Theatre, Steppenwolf Theatre Company, Court Theatre. BROADWAY/NATIONAL TOURS: A Strange Loop (co-producer; Tony Award. London; Olivier nomination). Hamilton (George Washington), Rent (Collins/Benny), Once On This Island (Papa Ge). REGIONAL: Fat Ham (Cleveland Playhouse), LaJolla Playhouse, McCarter Theatre Center, Seattle Repertory Theatre, Berkeley Repertory Theatre, Huntington Theatre Company, The Repertory Theatre of St. Louis. TV/FILM: Robert Altman’s The Company, John Cameron Mitchell’s Shortbus, Shameless, Chicago Fire, Empire. DIRECTING: James Baldwin’s Giovanni’s Room (world premiere, also co-adapter-Barrymore recommended), Gods And Monsters (US premiere- Jeff nomination). PLAYWRIGHT: Immediate Family (Goodman Theatre, Mark Taper Forum, Blumenthal’s Booth Playhouse, dir. Phylicia Rashad – Steinberg, Jeff, GLAAD nominations), Written By Phillis and FIRE! (with Marilyn Campbell Lowe-Barrymore recommended), Ape (dir. Krissy Vanderwarker), Alkebulan, A New American Musical – book music and lyrics (workshops at Irish Institute of Music and Song, Porchlight Theatre) @tallpowerpaul
Bret Tuomi
CHICAGO SHAKESPEARE: Nell Gwynn, Macbeth, Othello, Henry V, Julius Caesar. CHICAGO: The Iceman Cometh, Ah Wilderness, A Christmas Carol (Goodman Theatre) West Side Story (Lyric Opera). BROADWAY/NATIONAL TOURS: Rock of Ages INTERNATIONAL TOUR: West Side Story FILM: Ponderosa TELEVISION: Monster (Netflix) Chicago Fire, Chicago PD (NBC) Power Book 4: Force (FX) Empire (Fox). EDUCATION: MFA in Theatre Wayne State University BFA in Drama University of Montana.
Nancy Voigts
CHICAGO SHAKESPEARE: As You Like It, Follies, Comedy of Errors, Taming of the Shrew. CHICAGO: 1776, The Sound of Music, Footloose, 42nd Street, Brigadoon, Ms. Cinderella, Little Shop of Horrors, Pump Boys and Dinettes, The Boys From Syracuse (Marriott Theatre Company); Beaches: The Musical, Xanadu, Curtains, How to Succeed in Business Without Really Trying, Gypsy, City of Angels, The Most Happy Fella, Dames at Sea, Damn Yankees (Drury Lane Theatre); 6 seasons of “A Christmas Carol” (Goodman Theatre); 42nd Street (Paramount Theatre); Cowgirls (Northlight Theatre), Royal George, National Jewish and Wisdom Bridge Theater. REGIONAL: Milwaukee Repertory Theater. AWARDS: Two Joseph Jefferson Awards for Best Actress in a Revue and one nomination for Best Supporting Actress in a Musical. EDUCATION: Northwestern University.
Alex Weisman
CHICAGO SHAKESPEARE: The Madness of George III, Julius Caesar, Short Shakespeare!: A Midsummer Night’s Dream, Tug of War. CHICAGO: Shrew (Court Theatre), Prayer for the French Republic (Northlight Theatre, Theater Wit), An Act of God (Paramount Theatre), The History Boys (TimeLine Theatre Company), Hand to God (Victory Gardens), Goodman Theatre, Lookingglass Theatre Company, Remy Bumppo Theatre Company, About Face Theatre, and others. BROADWAY: Harry Potter and the Cursed Child (OBC) REGIONAL: Milwaukee Repertory Theater, Chautauqua Theater Company. FILM: A Complete Unknown, An Acceptable Loss, Another Happy Day, Black Box. TELEVISION: Sesame Street (PBS), Chicago Fire/Med/P.D. (NBC); New Amsterdam (NBC), Inventing Anna (Netflix); Ted Lasso (AppleTV). EDUCATION: Northwestern University. AWARDS: Jeff Awards Winner 2009, GLAAD New Media Award 2022.
Myah Bridgewater
CHICAGO SHAKESPEARE: Debut. CHICAGO: Pot Girls (The Story Theatre). NEW YORK: Bammy & Buxom (Conch Shell Productions). EDUCATION: BFA in Acting, University of Michigan
Angelica Herndon
Sara Mountjoy-Pepka
CHICAGO SHAKESPEARE: Much Ado About Nothing; Short Shakespeare! A Midsummer Night’s Dream. CHICAGO: The Outsider (Buffalo Ensemble Theatre); Mauritius (Parker Players Theater Company); The Shape of the Bones (The New Theatre Project). REGIONAL: Great River Shakespeare Festival, Seattle Shakespeare Theatre/Wooden O, Montana Shakespeare in the Parks, Book-It Repertory Theatre, Seattle Children’s Theatre, New Century Theatre Company, Will Geer’s Theatricum Botanicum, GreenStage Shakespeare in the Parks, Annex Theatre, Ensemble Shakespeare Theatre, Mt. Baker Repertory Theatre. IMPROV/MIME: Impro Theatre (Company Member), Unexpected Productions/Seattle TheatreSports (Company Member), Magic Circle Mime Company (Company Member). TELEVISION: Everyone Is Doing Great (Hulu). EDUCATION: BS in education and social policy, and bassoon performance, Northwestern University. Sara is an acting instructor for adults and teens at Acting Studio Chicago.
McGuire Price
CHICAGO SHAKESPEARE: Debut. CHICAGO: The Wickhams: Christmas at Pemberley (Buffalo Theatre Ensemble); Women Beware Women (Blue In The Right Way); Sweet 15: Quinceañera (FEVER). FILM: Anything That Moves. TELEVISION: Chicago PD (NBC). EDUCATION: BS in Theatre and Business, Northwestern University.
Creative Team
Chelsea Strebe
Associate Lighting Designer
Tuesday Thacker
Young Performer Supervisor
Chelsea Strebe
Associate Lighting Designer
Tuesday Thacker
Young Performer Supervisor
Phillip Breen
CHICAGO SHAKESPEARE THEATER: Debut. ROYAL SHAKESPEARE COMPANY: The Comedy of Errors, The Provok’d Wife, The Hypocrite, The Shoemaker’s Holiday, The Merry Wives of Windsor WEST END: Party (Arts Theatre), Dymock Watson Nazi Smasher – Edinburgh Comedy Award Winner (Fortune Theatre) REGIONAL: Shakespeare in Love (Theatre Royal Bath); True West, The Caretaker, The Shadow of a Gunman, Travels with my Aunt, A Day in the Death of Joe Egg (Glasgow Citizens); Measure For Measure, The Birthday Party, Suddenly Last Summer, (Clwyd Theatre Cymru), The York Mysteries (York Minster); Treasure Island, (Birmingham Rep); as writer/director Red or Dead (Liverpool’s Royal Court); Anna Karenina (Chichester Festival Theatre); Lady Chatterley’s Lover (Sheffield Crucible/ETT); INTERNATIONAL: King Lear, Long Day’s Journey Into Night, A Streetcar Named Desire, Orpheus Descending (Theatre Cocoon Tokyo) Party (Sydney International Theatre Festival); as writer/director Crime and Punishment, Anna Karenina (Theatre Cocoon, Tokyo) Crime and Punishment in Sham Shui Po (Hong Kong Festival) EDUCATION: Social and Political Sciences at Trinity College, Cambridge; Trained at Clwyd Theatr Cymru under Terry Hands. Phillip directed and co-devised Homo Loquax, Vivienne Westwood’s London Fashion Week show 2019. Phillip is an Associate Artist of The Royal Shakespeare Company www.phillipbreen.com
Max Jones
CHICAGO SHAKESPEARE: Debut. INTERNATIONAL: The Spy Who Came In From The Cold (West End & Chichester Festival Theatre) King Lear (Theatre Milano-Za, Tokyo), Anna Karenina, The Inquiry (Chichester Festival Theatre), 1536 (Almeida Theatre), Red or Dead (Liverpool Royal Court), Between Riverside And Crazy (Hampstead Theatre); A Mirror (West End & Almeida Theatre) Ulster American (Riverside Studios) Anna Karenina, Long Days Journey into the Night, Crime And Punishment, A Streetcar Named Desire (Theatre Cocoon, Tokyo), Jekyll And Hyde (Reading Rep) The Comedy Of Errors (RSC) All My Sons (Old Vic/Headlong) Love And Information (Sheffield Crucible Theatre) Shakespeare In Love (UK Tour) The House They Grew Up In (Chichester Festival Theatre/Headlong), The Hypocrite (Hull Truck/RSC/ Hull City of Culture 2017) EDUCATION: The Royal Welsh College of Music and Drama in 2001. AWARDS: He is a winner of The Linbury Biennial Prize for Stage. Max was an Associate Artist at Clwyd Theatr Cymru between 2008-2015.
Marcus Doshi
CHICAGO SHAKESPEARE: Much Ado About Nothing, Henry V, Richard III, The Merry Wives of Windsor. CHICAGO: Steppenwolf Theatre Company, Goodman Theatre, Chicago Opera Theater, Court Theatre. BROADWAY: Pass Over (August Wilson Theatre), Linda Vista (Second Stage Theater). OFF-BROADWAY: Theatre for a New Audience, The Public Theater, Signature Theatre Company, New York Theatre Workshop. REGIONAL: Oregon Shakespeare Festival, Seattle Repertory Theatre, Yale Repertory Theatre, Huntington Theatre Company, Hartford Stage, Dallas Theater Center, Berkeley Repertory Theatre, South Coast Repertory, Portland Center Stage. INTERNATIONAL/OPERA: Houston Grand Opera, Santa Fe Opera, Minnesota Opera, Lyric Opera of Chicago, Los Angeles Opera, Seattle Opera, Palau de les Arts Reina Sofía, La Monnaie, La Comédie Française, Sydney Festival, Festival Lyric d’Aix–en-Provence, Canadian Opera Company. EDUCATION: MFA Yale School of Drama; BA Wabash College. Mr. Doshi is a Professor of Theatre at Northwestern University and the founder of CollaborationOS Consulting.
Lindsay Jones
CHICAGO SHAKESPEARE: thirty-four productions including: Hamlet, Tug of War: Foreign Fire and Civil Strife, Othello, King Lear, The Merry Wives of Windsor, Henry VIII, Julius Caesar, Henry IV Parts 1 and 2, Henry V. CHICAGO: Goodman Theatre, Steppenwolf Theatre Company, Northlight Theatre, Lookingglass Theatre Company. BROADWAY: Slave Play, The Nap, A Time to Kill, Bronx Bombers. OFF BROADWAY: Bootycandy, Wild with Happy, The Brother/Sister Plays, Top Secret, Rx, Beautiful Thing. REGIONAL: Guthrie Theater, South Coast Repertory, McCarter Theatre, Arena Stage, The Old Globe, Hartford Stage. INTERNATIONAL: Royal Shakespeare Company (UK); Stratford Festival (Canada); productions in Ireland, Austria, Zimbabwe, Scotland, South Africa. FILM: The Brass Teapot (Magnolia Pictures); A Note of Triumph (HBO Films, 2006 Academy Award winner).PODCASTS: Audible, Disney, Marvel, Penguin/Random House, DC Comics, Next Chapter Podcasts. AWARDS: two Tony Award nominations, Webby Award, seven Jeff Awards, two Ovation Awards, three Signal Awards, Ambie Award. Lindsay is the co-chair of Theatrical Sound Designers and Composers Association (TSDCA) and teaches music history at UNCSA. www.lindsayjones.com
Bob Mason
CHICAGO SHAKESPEARE: 150 plus productions over 24 years, including 35 plays in Shakespeare’s canon under current Artistic Director Edward Hall and Founding Artistic Director Barbara Gaines. Also at CST: nine productions of Stephen Sondheim musicals under the direction of Gary Griffin. CHICAGO: Bounce, Light in the Piazza (Goodman Theatre); REGIONAL: SIX (CST, American Repertory Theater–Artios Award, Ordway Center, The Citadel); Ride the Cyclone (CST, Fifth Avenue Theatre/A Contemporary Theater, Alliance Theatre); OFF-BROADWAY: Ride the Cyclone (MCC); Rose Rage: Henry VI, Parts 1, 2 and 3, directed by Artistic Director Edward Hall (The Duke on 42nd Street); Marionette Macbeth (New Victory); BROADWAY: SIX, The Notebook; INTERNATIONAL: The Lord of the Rings: A Musical Tale (Auckland, NZ); Pacific Overtures (Donmar Warehouse–Olivier Award, Outstanding Musical); Henry IV, Parts One and Two (RSC). Prior to casting, Mason enjoyed a career as a Joseph Jefferson Award-winning actor and singer and has been a visiting educator at Northwestern University and multiple college programs across the country.
Matthew Silar
CHICAGO SHAKESPEARE: Debut. CHICAGO: White Christmas, The 25th Annual Putnam County Spelling Bee, The Full Monty, School of Rock, The Sound of Music (Paramount Theatre), The Snow Queen (Marriott Theatre), Gods and Monsters (WORLD PREMIERE- Frame of Reference Productions), Peter Pan (Music Theater Works). REGIONAL: Jesus Christ Superstar (The REV Theatre Co), Spring Awakening (Skylight Music Theatre). EDUCATION: BFA in Theatre- Directing, Abilene Christian University. DIRECTING: Little Shop of Horrors, She Loves Me (Jeff Award Nomination- Best Director of a Musical, Midsize) (Citadel Theatre), Godspell (Music Theater Works), Daddy Long Legs (Awaken Theatre).
Laura Rook
CHICAGO SHAKESPEARE: A Midsummer Night’s Dream, Love’s Labour’s Lost, Othello, Henry V, and Romeo and Juliet. DIRECTING: (select credits) Summer, 1976 (Forward Theater), Cinderella (Marriott Theatre), Once Upon a Bridge (American Players Theatre), and The How and the Why (Two Crows Theatre Company). UPCOMING: As You Like it (American Players Theatre) and In the Next Room (or The Vibrator Play) (Next Act Theatre). Rook is a member of the core company at American Players Theatre in Spring Green, WI.
Nick Sandys
CHICAGO SHAKESPEARE: Othello, Romeo and Juliet. CHICAGO: Amadeus (Steppenwolf Theatre Company); Peter & The Starcatcher (Paramount Theatre); Dial M For Murder, Mr. Dickens’ Hat, Dr. Jekyll & Mr. Hyde, Pride & Prejudice (Northlight Theatre); Frankenstein, Pygmalion, An Inspector Calls, The Goat, Les Liaisons Dangereuses, The Real Thing, Tartuffe, Arcadia, No Man’s Land, Hapgood (Remy Bumppo Theatre Company); Jeeves Intervenes, Captain Blood, Turn of the Screw, Blithe Spirit, Twelfth Night, Much Ado About Nothing (First Folio Theatre); The Man Who Murdered Sherlock Holmes (The Mercury Theater); Oedipus Complex (Goodman Theatre); Around The World In 80 Days (Lookingglass Theatre Company); The Misanthrope (Next Theatre Company). OFF BROADWAY: Sherlock Holmes & The Hands Of Othello. REGIONAL: Syracuse Stage, Cleveland Play House, Fort Worth Shakespeare in the Park, Stage West. EDUCATION: Cambridge University, Loyola University Chicago. AWARDS: Meier Foundation 2011, Audiofile Earphones Award 2018. Sandys has been adjunct faculty at The Theatre School at DePaul University since 1994. www.nicksandys.com
Danny Fender
CHICAGO SHAKESPEARE: Rome Sweet Rome, Circus Abyssinia, Sunny Afternoon, Avaaz, Pericles, Henry V, Short Shakespeare! Romeo and Juliet, Chicago Shakespeare in the Parks. CHICAGO: Two Trains Running, The Lady from the Sea, The Tragedy of Othello, the Moor of Venice, The Mousetrap, Oedipus Rex, King Hedley II (Court Theatre); The Steadfast Tin Soldier (Lookingglass Theatre Company); The Music Man, Ah, Wilderness! (Goodman Theatre); Revolution (A Red Orchid Theatre); new play workshops for Steppenwolf Theatre Company; author events for Chicago Humanities Festival. NEW YORK: Black Swan (workshop). TOUR: Hamilton (Philip Company Tour). EDUCATION: The Theatre School at DePaul University, Interlochen Arts Academy. Fender is one of the owners of The Understudy Coffee and Books, a theatre bookstore and specialty coffee shop located in Andersonville. The Understudy was featured in the New York Times’ 36 Hours in Chicago and voted Chicago Reader’s Best Coffee Shop in Chicago for 2023 and 2024, and is listed in Louis Vuitton’s Chicago City Guide.
The Merry Wives of Windsor Full Staff Listing
HUMAN RESOURCES
Laurel Legler Director of Human Resources
Mohad Zahid HR Generalist
PRODUCTION
Mac Vaughey Production Manager
Alexa Berkowitz Assistant Production Manager
SCENERY
Tyler Metoxen Technical Director
Jesse Gaffney Assistant Technical Director
Tobi Osibodu Stage Crew Head
Bradley Buri Stage Crew Carpenter Head
Jack Birdwell Stage Rigging Crew Head
Nicolas Cabrera House Technician
Chris Culver House Technician
Amber Hahn House Technician
Bobby Noe House Technician
Danny Carraher Carpenter
Reese Sheldahl Carpenter
Casey Fort Carpenter
Aubrey Pierce Carpenter
Nicholas Thomas Carpenter
Sarah Lewis Scenic Sculptor
Jessica Howe Scenic Painter
Tea Roberts Scenic Painter
Sara Grose Scenic Painter
COSTUMES
Ryan Magnuson Costume Department Manager
Cathy Tantillo Costume Design Assistant
Melissa Perkins Costume Design Assistant
Madeline Felauer Costume Crafts
Jenn Giangola Wardrobe Supervisor
Tyler Phillips Draper/Workroom Supervisor
Teagan Anderson First Hand
Yas Maple Stitcher
Kyra Pan Stitcher
Naomi Arroyo Dresser
Laura Holt Dresser
LIGHTING AND VIDEO
Alec Thorne Lighting and Video Department Manager
Arianna Brown Assistant Lighting and Video Department Manager
Joan E. Claussen Lighting Crew Head
Meike Schmidt Lightboard Programmer
Florence Borowski Electrician
Emily Brown Electrician
Lea Davis Electrician
Chris Feurig Electrician
Andres Fiz Electrician
Elliot Hubiak Electrician
Garvin van Dernoot Electrician
SOUND
Nicholas Pope Sound Department Manager
Tyler Malone Sound Crew Head
Sarah Ortiz Sound Technician
Michael McShane A2 Cover
HAIR AND MAKE-UP
Ashley Adams Hair and Make-up Department Manager
Sarah Collins Hair and Make-up Attendant
Cathryn Bulicek Hair and Make-up Attendant Cover
PROPERTIES
Anna Katharine Mantz Properties Department Manager
Meghan Savagian Assistant Properties Department Manager
Dan Nurczyk Properties Crew Head
Sara Grose Properties Artisan
Katie Novak Properties Artisan
Jamie Auer Properties Artisan
Claire Rockwell Properties Artisan
AnnaMae Durham Properties Artisan
Mariah Bennett Properties Artisan
HAIR AND MAKE-UP
Ashley Adams Hair and Make-up Department Manager
Sarah Collins Hair and Make-up Attendant
Anna Gorsuch Hair and Make-up Attendant Cover
PROPERTIES
Anna Katharine Mantz Properties Department Manager
Meghan Savagian Assistant Properties Department Manager
Dan Nurczyk Properties Crew Head
Sara Grose Properties Artisan
Edward Hall Artistic Director, Carl and Marilynn Thoma Chair
Kimberly Motes Executive Director
ARTISTIC & EXECUTIVE
Ericka Ratcliff Literary Manager
John Hance Interim General Manager
Daniel J. Hess Artistic Administrator
Bob Mason Artistic Associate/Casting Director
Brian Haas Company Manager
Alexis Taylor Casting Associate
Rose Kalef Executive Assistant
Shemar Wheeler Arts Leadership Fellow
EDUCATION
Nora Carroll Director of Lifelong Learning & Education, Ray and Judy McCaskey Education Chair
Rick Lostutter Associate Director of Education
MARKETING & COMMUNICATIONS
Brad Boron Chief Marketing Officer
MARKETING
Mackenzie Schleyer Associate Director of Marketing
Katie Bell Digital Marketing Manager
Olivia George Graphic Designer
Shelly Binkley Tessitura Administrator
Ali Khan Marketing Associate
COMMUNICATIONS
Hannah Kennedy Director of Communications
Emma Perrin Associate Director of Communications
Tiffany Mullins Digital Content Specialist
BOX OFFICE
Scott Letscher Ticketing Services Manager
Sonja Pardee Box Office Supervisor
Maggie Curry Box Office Associate
Al Duffy Box Office Associate
Jaz Fowlkes Box Office Associate
Micah Hazel Box Office Associate
Aurthur King Box Office Associate
Eric Perrine Box Office Associate
Ash Pierce Box Office Associate
Kir Westrick Box Office Associate
DEVELOPMENT & SPECIAL EVENTS
Stacy Shafer Peterson Chief Development Officer
Makeda Cohran Events Director
Melissa Rosenberg Associate Director of Development, Individual Giving
Elizabeth Aranza Associate Director of Development, Institutional Giving
Finley Jones Manager of Annual Fund and Planned Giving
FINANCE & OPERATIONS
FINANCE
Dan Thomas Director of Finance
Alejandra Sujo Accounting Associate
TECHNOLOGY
Jeanne DeVore Technology Manager
OPERATIONS
Mark Kozy Director of Operations
Daniel Lopez Facilities Manager
Mike Atkins Custodian
Dwayne Brewer Custodian
Anthony Davis Custodian
Cano Hernandez Custodian
Ferris Robertson Custodian
GUEST SERVICES
Devin Faught Front of House Manager
Phoebe Silva Assistant Front of House Manager
Julia Ravenscroft Show Supervisor
Erika Wilson Show Supervisor
Will Adams Guest Services Associate
Sam Castillo Guest Services Associate
Amanda Farmer Guest Services Associate
Leah Johnson Guest Services Associate
Paulette Maher Guest Services Associate
Nat Martinez-White Guest Services Associate
Maggie Perisho Guest Services Associate
Jessica Plummer Guest Services Associate
Jack Porter Guest Services Associate
Nora Rumery Guest Services Associate
Samantha Waitkus Guest Services Associate
Nyja White Guest Services Associate
Philip Macaluso Lead Concessioner
Patty Roache Lead Concessioner
Jack Saunders Lead Concessioner
Sam Adams Concessioner
Dani Brown Concessioner
Suzie Glover Concessioner
Zoe Maxwell Concessioner
Tanner McCormick Concessioner
Robbie Matthew Concessioner
Leaf McCastle Concessioner
Lily Mulcahy Concessioner
Reese Sheldahl Concessioner
Emily Stipetic Concessioner
Prenae Thomas Concessioner
Mo Werder Concessioner
HUMAN RESOURCES
Laurel Legler Director of Human Resources
Mohad Zahid HR Generalist
PRODUCTION
Mac Vaughey Production Manager
Alexa Berkowitz Assistant Production Manager
SCENERY
Tyler Metoxen Technical Director
Jesse Gaffney Assistant Technical Director
Tobi Osibodu Stage Crew Head
Bradley Buri Stage Crew Carpenter Head
Jack Birdwell Stage Rigging Crew Head
Nicolas Cabrera House Technician
Chris Culver House Technician
Amber Hahn House Technician
Bobby Noe House Technician
Danny Carraher Carpenter
Reese Sheldahl Carpenter
Casey Fort Carpenter
Aubrey Pierce Carpenter
Nicholas Thomas Carpenter
Sarah Lewis Scenic Sculptor
Jessica Howe Scenic Painter
Tea Roberts Scenic Painter
Sara Grose Scenic Painter
COSTUMES
Ryan Magnuson Costume Department Manager
Cathy Tantillo Costume Design Assistant
Melissa Perkins Costume Design Assistant
Madeline Felauer Costume Crafts
Jenn Giangola Wardrobe Supervisor
Tyler Phillips Draper/Workroom Supervisor
Teagan Anderson First Hand
Yas Maple Stitcher
Kyra Pan Stitcher
Naomi Arroyo Dresser
Laura Holt Dresser
LIGHTING AND VIDEO
Alec Thorne Lighting and Video Department Manager
Arianna Brown Assistant Lighting and Video Department Manager
Joan E. Claussen Lighting Crew Head
Meike Schmidt Lightboard Programmer
Florence Borowski Electrician
Emily Brown Electrician
Lea Davis Electrician
Chris Feurig Electrician
Andres Fiz Electrician
Elliot Hubiak Electrician
Garvin van Dernoot Electrician
SOUND
Nicholas Pope Sound Department Manager
Tyler Malone Sound Crew Head
Sarah Ortiz Sound Technician
Michael McShane A2 Cover
HAIR AND MAKE-UP
Ashley Adams Hair and Make-up Department Manager
Sarah Collins Hair and Make-up Attendant
Cathryn Bulicek Hair and Make-up Attendant Cover
PROPERTIES
Anna Katharine Mantz Properties Department Manager
Meghan Savagian Assistant Properties Department Manager
Dan Nurczyk Properties Crew Head
Sara Grose Properties Artisan
Katie Novak Properties Artisan
Jamie Auer Properties Artisan
Claire Rockwell Properties Artisan
AnnaMae Durham Properties Artisan
Mariah Bennett Properties Artisan
HAIR AND MAKE-UP
Ashley Adams Hair and Make-up Department Manager
Sarah Collins Hair and Make-up Attendant
Anna Gorsuch Hair and Make-up Attendant Cover
PROPERTIES
Anna Katharine Mantz Properties Department Manager
Meghan Savagian Assistant Properties Department Manager
Dan Nurczyk Properties Crew Head
Sara Grose Properties Artisan
A Note From Director Phillip Breen
There are no jokes in Merry Wives, only situation and character; bacchanalian laughter and chaos…
The Knight who is the least chivalrous character in the play, the preacher who is incomprehensible to his flock, the homicidal doctor, the cunning and wise young female love interest, the young male lead who seems not only disinterested in sex but only has a hazy idea of the mechanics, the justice of the peace constantly agitating for a fight, the publican who acts as the referee. We seemed to be in this strange underworld, where the received laws of the stage had been turned on their head. All this set in a town that is the spiritual home to the Order of the Garter at St George’s chapel and its old French motto “Honi soit qui mal y pense” (“Shame on the one who sees something bad in it”)—a place where the characters spend the bulk of their time doing the precise opposite of this.
What if instead of trying to solve all of these inconsistencies and rescue Shakespeare’s hack work, as production history tells us we should, we assume he meant everything? I junked all the cut scripts and went slowly though the folio again. It works.
I think The Merry Wives of Windsor is one of the great Shakespeare plays because it manages to deeply explore themes that Shakespeare was fascinated by throughout his whole career. I think it represents a bold experiment in character and structure and dramatic energy more dazzling than even As You Like It. I think it’s his funniest play by far because it’s his most troubling and people laugh at discomfort and when they’re most discomfited.”
Excerpted from Phillip Breen’s monograph entitled “Walking in a Windsor Wonderland: Some ramshackle reflections on directing Shakespeare’s greatest comedy.”
Falstaff: A Fan Favorite
“Setting the attractions of my good parts aside, I have no other charms.” (Falstaff, Act 2 Scene 2)
Did you know that Sir John Falstaff appears in several other Shakespeare plays? In fact, he is the only non-historical leading character to appear in more than one! Falstaff first appears in Henry IV, Part I as a bumbling, errant knight that the young Prince Hal cavorts with at the tavern. While it is evident that Falstaff is pretty corrupt, he quickly becomes a fan favorite for his charisma and humor. He appears next in Henry IV, Part II and is also mentioned in Henry V. Legend says that Falstaff was such a popular character that Queen Elizabeth herself demanded a play about Falstaff in love—so now, we have The Merry Wives of Windsor!
Get to know who is who and read the synopsis of Shakespeare’s most raucous comedy, broken down act by act.
SEASON SPONSORS
Chicago Shakespeare Theater is proud to recognize the sustaining partnership of our Season Sponsors,
whose visionary support ensures that we live out our artistic mission for audiences today and for generations to come.
SEASON SPONSORS
Chicago Shakespeare Theater is proud to recognize the sustaining partnership of our Season Sponsors, whose visionary support ensures that we live out our artistic mission for audiences today and for generations to come.
The Jentes Family
Ray and Judy McCaskey
Burton X. and Sheli Z. Rosenberg
The Segal Family
Carl and Marilynn Thoma
Chicago Shakespeare productions are made possible in part by the Illinois Arts Council Agency and a CityArts Grant from the City of Chicago Department of Cultural Affairs and Special Events.
Chicago Shakespeare is a constituent of the Theatre Communications Group, Inc., the national service organization of non-profit theaters; Shakespeare Theatre Association; Arts Alliance Illinois; the League of Chicago Theatres; and Ingenuity, Inc.
Actors’ Equity Association (AEA), founded in 1913, represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org
About Chicago Shakespeare Theater (CST)
Our Mission
To create vivid, entertaining theatrical experiences that invigorate and engage people of all ages and identities by illuminating the complexity, ambiguity, and wonder of our world.
Shared humanity and unforgettable stories—now THIS is Chicago Shakespeare.
Our Vision
We deliver excellent, powerful, life-changing theater that challenges our preconceptions of everything. We are an open and inspiring destination to meet, talk, and share experience through community and live performance that is available to everyone. We build a better future with those who watch, work, create, and participate.
Our Story
CST is a leading international theater company and the nation’s largest year-round theater dedicated to the works of Shakespeare. Under the visionary leadership of Artistic Director Edward Hall and Executive Director Kimberly Motes, the Regional Tony Award recipient engages nearly a quarter of a million people through more than 12 productions each year. Shakespeare is at the heart of the artistic work, illuminating the playwright as a modern writer for our modern world. CST also produces compelling, contemporary stories from fresh artistic voices of today. CST brings the world to Chicago and sends Chicago out into the world as a presenter of international theater and producer of North American and world premieres. Serving more students and teachers than any theater in the city, CST annually welcomes more than 20,000 students to performances and programs like Chicago Shakespeare SLAM, alongside professional development opportunities for teachers. CST activates its campus with three venues: 700-seat The Yard; the 500-seat Jentes Family Courtyard Theater; and the 200-seat Carl and Marilynn Thoma Upstairs Studio. Free programs like Shakes in the City bring performances to parks and community spaces across Chicago’s 77 neighborhoods. For nearly four decades, CST has distinguished itself with a spirit of innovation, dynamism, and ambitious vision.
More About Us
Our Team
The thrilling work on our stages would not be possible without our visionary leadership, talented team of theater professionals, and dedicated Board of Directors.
Our Supporters
Chicago Shakespeare gratefully recognizes the gifts and partnerships provided by our hundreds of individual donors and institutions in our digital donor listing.
Our Education Programs
We are committed to providing access to high quality, culturally responsive arts education, and fostering a love for lifelong learning through innovative programming.