Welcome
Welcome to our first ‘pop up’ free Shakespeare! Tyrone Philips who directed our hugely successful Twelfth Night returns to create a 45‑minute ‘pop up’ version which will play throughout the summer in 21 neighborhoods in Chicago. It’s a thrill for us at CST to be launching our ‘Shakespeare In The City’ program as part of our commitment to bring vivid and entertaining work to all parts of Chicago. Free pop-up Shakespeare will bring an expansion to our community work as we wrap around neighborhoods and festivals and demonstrate that there is no environment in which we can’t play. Next year we will be expanding our Short Shakespeare program too–there has never been a better time for you to get a taste of the Bard. Where better to begin your journey with Shakespeare but in the outdoors under a blue sky (we hope!) just like Shakespeare’s original audiences. Whether you’re passing by and stumble on a performance, staying for a few minutes or you’re settling in to watch it all, welcome to a short, funny and eye opening taste of Illyria in the expert hands of Tyrone and his brilliant cast. Enjoy and have a great summer!
EDWARD HALL
Artistic Director
Carl and Marilynn Thoma Chair
KIMBERLY MOTES
Executive Director
Synopsis (English)
Duke Orsino is pining for the love of the Countess Olivia, who has declared seven years of mourning for her dead brother and will see no one. And so, matters of love in Illyria are at a stalemate—for the time being. Then a violent storm at sea deposits young Viola upon Illyria’s shore. She fears her twin brother Sebastian has died.
Assuming the disguise of a young male page for safety, Viola as “Cesario” seeks employment in Duke Orsino’s household. Orsino takes Cesario into his confidence and sends the page as his ambassador of love to Olivia. Viola dutifully undertakes her new responsibility, though she herself has fallen in love with Orsino. Face to face with Olivia, Cesario urges the Countess to drop her veil of mourning. As she does, Olivia falls in love with the young stranger. The Countess’ household is in an uproar. Her uncle Sir Toby Belch and his sidekick Sir Andrew Aguecheek, who also hopes to win Olivia, drink late into the nights. Her clown, Feste, brings both laughter and sometimes melancholy to the court through his music and musings. Olivia attempts to maintain order through her steward Malvolio, hated by all as a self-righteous puritan. With the assistance of Toby and Andrew, Olivia’s gentlewoman Maria plots their revenge: a forged letter of love to Malvolio, ostensibly from Olivia. Malvolio’s adversaries gather to observe the scene with delight as he presents himself to his mistress, precisely as instructed by the letter—cross-gartered, yellow-stockinged, and smiling. Dismayed by her steward’s odd behavior, Olivia entrusts him to the care of her uncle.
Viola does not know that her lost brother and look-alike, Sebastian, is alive and newly arrived in Illyria, guided by his newfound friend, the sailor Antonio. Urged on by Toby Belch, the reluctant Aguecheek challenges Cesario to a duel and ends up roundly defeated by Viola’s male doppelgänger. Olivia makes the same mistake: begging once more for Cesario’s love, she is stunned when he readily agrees to marry her. No one is more shocked, of course, than Viola when she hears report of Cesario’s marriage to the Countess. The appearance of the real Sebastian and the reunion of brother and sister set almost all right in Illyria.
Sinopsis (Spanish)
El duque Orsino suspira por el amor de la condesa Olivia, quien se ha declarado de luto, siete años, por la muerte de su hermano y no saldrá con nadie. Así que, las cuestiones amorosas en Iliria están estancadas… por el momento. Mientras tanto, una violenta tormenta en el mar arrastra a la joven Viola a la costa de Iliria. Ella teme que su hermano mellizo Sebastián haya muerto.
Por seguridad, disfrazándose de un paje joven, Viola como “Cesario”, busca empleo en la casa del Duque Orsino. Orsino confía en Cesario y envía al paje como su embajador del amor a Olivia. Viola asume obedientemente su nueva responsabilidad, aunque ella se ha enamorado de Orsino. Frente a Olivia, Cesario insta a la condesa a quitarse el velo de luto. Al hacerlo, Olivia se enamora del joven desconocido. La casa de la condesa se vuelve un caos. Su tío Sir Toby Belch y su compañero Sir Andrew Aguecheek, quien también espera conquistar a Olivia, beben hasta altas horas de la noche. Su bufón, Feste, a través de su música y sus reflexiones trae a la corte, risas y, a veces, melancolía. Olivia intenta mantener el orden a través de su mayordomo Malvolio, odiado por todos como un puritano moralista. Con la ayuda de Toby y Andrew, María, la dama de Olivia, planea su venganza: una carta de amor falsificada para Malvolio, aparentemente de Olivia. Los adversarios de Malvolio se reúnen para observar con deleite la escena mientras él se presenta frente a su patrona, precisamente como se indica en la carta: con tirantes cruzados, medias amarillas y sonriendo. Consternada por el extraño comportamiento de su mayordomo, Olivia lo confía al cuidado de su tío.
Viola no sabe que su hermano desaparecido y casi idéntico a ella, Sebastián, está vivo y acaba de llegar a Iliria, guiado por su nuevo amigo, el marinero Antonio. Instado por Toby Belch, el reacio Aguecheek desafía a Cesario a un duelo y termina rotundamente derrotado por el doble masculino de Viola. Olivia comete el mismo error: suplicando una vez más por el amor de Cesario, se queda atónita cuando él accede fácilmente a casarse con ella. Por supuesto, nadie se sorprende más que Viola cuando escucha la noticia del matrimonio de Cesario con la condesa. La aparición del verdadero Sebastián y el reencuentro entre hermana y hermano pone casi todo en orden en Iliria.
Artists
Yaw Agyeman
CHICAGO SHAKESPEARE: Twelfth Night. CHICAGO: Titanic (Court Theatre); Ohio State Murders (Goodman Theatre). REGIONAL: Guthrie Theater, Asolo Repertory Theater, The Acting Company, Crossroads Theater. TELEVISION: Chicago Fire (NBC). EDUCATION: BFA in theater, University of Minnesota; MFA in theater, Wayne State University.
Ernest Bentley
CHICAGO SHAKESPEARE: Debut. CHICAGO: Titanic (Court Theatre); Ohio State Murders (Goodman Theatre). REGIONAL: Guthrie Theater, Asolo Repertory Theater, The Acting Company, Crossroads Theater. TELEVISION: Chicago Fire (NBC). EDUCATION: BFA in theater, University of Minnesota; MFA in theater, Wayne State University.
Robert Hunter Bry
CHICAGO SHAKESPEARE: Debut. CHICAGO: Buffalo Theatre Ensemble, City Lit Theater Company, Redtwist Theatre, First Folio Theatre, Collaboraction, Midsommer Flight, ShawChicago. REGIONAL: Shakespeare Theatre of New Jersey, Montana Shakespeare in the Parks, Illinois Shakespeare Festival, Michigan Shakespeare Festival, Arkansas Shakespeare Theatre. FILM: The Fabulists, Zombie, Painbroker. EDUCATION: BS in acting, Illinois State University.
Tafadzwa Diener
CHICAGO SHAKESPEARE: Debut. CHICAGO: A Christmas Carol (Goodman Theatre); Sound of Music, You’re a Good Man, Charlie Brown (Marriott Theatre); Anything Goes (Porchlight Music Theatre); Rock of Ages (Mercury Theater); 1919 (Steppenwolf Theatre Company); An Educated Guess (Definition Theatre); MotherFreakingHood (Venus Cabaret). REGIONAL: Ragtime, Pirates of Penzance (Utah Shakespeare Festival). FILM: Chicago PD. EDUCATION: BFA in acting, University of Illinois Urbana-Champaign. She is represented by Big Mouth Talent.
Dennis William Grimes
CHICAGO SHAKESPEARE: Emma, Shakespeare in Love, Julius Caesar. CHICAGO: A Disappearing Number, Danny Casolaro Died for You, Frost/Nixon (TimeLine Theatre Company); 1984, The Book Thief (Steppenwolf Theatre Company); A Christmas Carol (Goodman Theatre); She Stoops to Conquer (Northlight Theatre); Moonlight and Magnolias (Fox Valley Repertory); The Busy World Is Hushed (Next Theatre Company); Lips Together, Teeth Apart (Eclipse Theatre Company); Rabbit (Stage Left Theatre); Pride and Prejudice (Lifeline Theatre); The Master and Margarita (Strawdog Theatre Company). REGIONAL: Actor’s Theatre of Louisville, Indianapolis Repertory Theatre, Riverside Theatre in the Parks, Oak Park Festival Theatre, Lakeside Shakespeare Theatre, Illinois Shakespeare Festival. FILM: Night Shift (Defiant Studios); The Letter: A Lovecraftian Tale (Chiaravalle and Associates); Black Box (ConeArts). TELEVISION: Night Sky (Amazon); Empire (FOX); Chicago Fire, Chicago PD (NBC); The Girlfriend Experience (Starz); Betrayal, Detroit 187 (ABC). EDUCATION: B.S. in theater, Illinois State University.
Charence Higgins
CHICAGO SHAKESPEARE: Debut. CHICAGO: Rosencrantz & Guildenstern are Dead (Court Theatre); brother sister cyborg space (Raven Theatre); Describe the Night (Steppenwolf Theatre Company). REGIONAL: American Players Theatre, Alliance Theatre, Theater at Monmouth, Baltimore Center Stage Theatre, New Stage Theatre. DESIGN: hair and makeup designer at Theatre at Monmouth (2021 season). FILM: Main Event; A Tale of Two Labs; Soul Damage. EDUCATION: MFA in acting, University of Illinois at Urbana-Champaign; B.S. in speech communication and theatre, Jackson State University. AWARDS: Southeastern Theatre Conference Denise Halbach Award (2021), National Society of Arts & Letters Acting Competition Finalist (2019)
Weléla Mar Kindred
CHICAGO SHAKESPEARE: Debut. CHICAGO: director and supporting actress in Elastic Mind (The Greenhouse Theater); Ensemble in Black Nativity (Goodman Theatre); Calpurnia in To Kill a Mockingbird (Chopin Theater). REGIONAL: director of Intimate Apparel (St. Croix Falls Festival). LOS ANGELES: Orange County Black Actors Theater, Lorraine Hansberry Players, Santa Monica Playhouse. PARIS: lead dancer and choreographer in Minotaur (Compagnie ACTA); Nuit Blanche Festival, Le Générateur Festival. FINLAND: Helsinki Youth Theater Festival. GHANA: Chalé Wote Festival. FILM: Corridor, Heart of the City. TELEVISION: Hype Williams Tribute (MTV); Call to Glory (ABC). EDUCATION: BFA in performance and cinema, The School of the Art Institute of Chicago, Acting Studio Chicago, HB Studios New York, Joel Hall Dance Center, Homer Bryant Ballet, Alvin Ailey Dance Theater, La Ménagerie de Verre, Centre National de la Danse. FELLOWSHIP: Body Politics in Theater New York University / Harvard / Johannesburg University. AWARDS: Nominated for Best Director of Elastic Mind by The Chicago Reader 2022.
Jamaque Newberry
CHICAGO SHAKESPEARE: Debut. CHICAGO: The Island (Court Theatre); Party at The Pantheon (Factory Theater); Judy’s Life Work (Definition Theatre). REGIONAL: Merry Wives of Windsor, The Brother Size, Our Town, A Raisin in the Sun, Sense and Sensibility (American Players Theatre). EDUCATION: MFA in acting for stage and film, Northern Illinois University.
Juwon Tyrel Perry
CHICAGO SHAKESPEARE: Chicago Shakespeare in the Parks production of The Hero Within, To Be 4/23, 2021 and 2023. CHICAGO: Gospel at Colonus (Court Theatre); Dreamgirls (Paramount Theatre); Sister Act (Geva Theatre); Spring Awakening (Porchlight Music Theater); Beautiful, the Carole King Musical, James and the Giant Peach, Madagascar (Marriott Theatre); Ragtime (Music Theatre Works); Ragtime (Griffin Theater). REGIONAL: Dreamgirls (North Carolina Theatre). EDUCATION: BFA, Columbia College Chicago; Black Box Acting Academy. @juwontyrelperry.
Sonia Goldberg
CHICAGO SHAKESPEARE: Corduroy, Measure for Measure. CHICAGO: CHICAGO: Pippin (Music Theater Works); A Midsummer Night’s Dream (Oak Park Festival Theatre); American Psycho (Kokandy Productions); Songs for Nobodies (Northlight Theatre); Once Upon a Mattress (Theo Ubique Cabaret Theatre); Wake Up, Brother Bear! (Chicago Children’s Theatre); The Man Who Was Thursday (Lifeline Theatre); I Am Going to Die Alone and I Am Not Afraid (Prop Thtr); As You Like It, Twelfth Night (Midsommer Flight); The Snow Queen (Filament Theatre). REGIONAL: King Lear, Twelfth Night (Montana Shakespeare in the Parks). EDUCATION: BA in theatre, Butler University; Certificates from LAMDA and The Moscow Art Theatre School.
Beth Laske-Miller
Production Designer
Maurilio Rodriguez
Dresser
Beth Laske-Miller
Production Designer
Maurilio Rodriguez
Dresser
Tyrone Phillips
CHICAGO SHAKESPEARE: Twelfth Night, I, Cinna; dramaturg for Romeo and Juliet; associate director for Hamlet, Red Velvet; actor in A Midsummer Night’s Dream, King Charles III, Chicago Shakespeare in the Parks A Midsummer Night’s Dream. CHICAGO: An Octoroon, A Doll’s House, Genesis, The Brothers Size (Definition Theatre); George Orwell’s 1984 (Steppenwolf Theatre Company); Father Comes Home from the Wars (Goodman Theatre). REGIONAL: Assassins, A Christmas Carol, A Raisin in the Sun, understudy in The Mountaintop, Clybourne Park (Milwaukee Repertory Theater). FILM: Gimmick, Boss, Divergent, Fare Thee Well. TELEVISION: The Red Line (CBS); Chicago Justice (NBC); McDonald’s Mario-Kart Happy Meal commercial; DiGiorno’s Don’t Settle commercial. EDUCATION: BFA in acting, University of Illinois Urbana Champaign; Shakespeare’s Globe. Phillips is the founding artistic director of Chicago’s Definition Theatre. He was selected as one of Newcity Stage’s “Players 2019: The Fifty People Who Really Perform for Chicago.”
Robert Reddrick
CHICAGO SHAKESPEARE: Chicago Twelfth Night, Shakespeare in the Parks The Hero Within. CHICAGO: Pump Boys and Dinettes (Porchlight Music Theatre); Women of Soul (The Mercury Theater); Will the Circle Be Unbroken (Steppenwolf Traffic Series); Project! (Free Street Theater). DRUMMER: Guys and Dolls, Raisin!, Caroline or Change (Court Theatre). AWARDS: seven-time recipient of Black Theater Alliance’s Best Music Director, Joseph Jefferson Production–Revue for You Can’t Fake the Funk (Black Ensemble Theater), Joseph Jefferson Production Musical–Large for Caroline or Change (Court Theatre). Reddrick has been the resident Music Director at the Black Ensemble Theater since 2009.
Max Fabian
CHICAGO SHAKESPEARE: Judgment Day, Comedy of Errors. CHICAGO: : Turret (A Red Orchid Theatre); Into the Woods, Little Shop of Horrors (Paramount Theatre). STUNT COORDINATION: Soldier Survivor Sinner Saint, Best In The World, The Big Audition. EDUCATION: BFA, Chicago College of Performing Arts at Roosevelt University. Fabian holds the Advanced Actor Combatant certification with Fight Directors of Canada from Rapier Wit in Toronto, Ontario
Sadira Muhammad
CHICAGO SHAKESPEARE: Debut. CHICAGO: The Tragedy of King Christophe (House Theater of Chicago); Passport of Movement Across the African Diaspora (Chicago Public Schools); Rooted Reflections – Haiti (Chicago Park District); dance artist in residence (Rootwork Gallery); After- School Matters showcase (South Region); Rooted Reflections – Orisha (Westside Congregation); Rooted Reflections – West Indian Ritual (Segundo Ruiz Belvis Cultural Center); Black Women’s Choreographic Showcase (Beverly Arts Center). INTERNATIONAL: Haiti, Jamaica, Barbados. EDUCATION: ten seasons Dance Africa Chicago training workshops with twenty companies of artists across the diaspora. Muhammad is interim Artistic Director of West Indian Dance Theater, serves as Adjunct Faculty of Dance at Governors State University, and has been a guest lecturer at Columbia College Chicago and DePaul University. Her work is Afro-Cultural dance as story and replication of historical, traditional, and customary lifestyles. Muhammad’s trajectory in the dance studio and on stage is to project history through dance and claim the power of healing. Her solo body of work, The Things We Carried/ Carry, is a movement monologue on narratives across the Diaspora.
Katrina Herrmann
CHICAGO SHAKESPEARE: The Comedy of Errors, All’s Well That Ends Well, As You Like It. CHICAGO: The Steadfast Tin Soldier (Lookingglass Theatre Company); Seussical, Rock of Ages (Drury Lane Theatre); Mary Page Marlowe (Steppenwolf Theatre Company); The Hundred Dresses, The Miraculous Journey of Edward Tulane (Chicago Children’s Theatre); Kill Floor, The Royale, Sons of the Prophet (American Theater Company); Juno (TimeLine Theatre Company). REGIONAL: The King’s Speech (National Tour); Diana the Musical, Queens, The Cake, At the Old Place (La Jolla Playhouse); The Garden, Twisted Melodies (Baltimore Center Stage). OFF BROADWAY: The Flick, Kin, The Whale, The Big Meal, The Shaggs: Philosophy of the World, The Burnt Part Boys, Circle Mirror Transformation (Playwrights Horizons); Close Up Space (Manhattan Theatre Club); In the Wake (Public Theater). EDUCATION: BFA in stage management, DePaul University; MBA, Adams State University.
Gianni Carcagno
CHICAGO SHAKESPEARE: Short Shakes! Romeo & Juliet. CHICAGO: POTUS, No Man’s Land (Steppenwolf Theatre Company); Boulevard of Bold Dreams, Trouble In Mind, Campaigns, Inc, The Chinese Lady (TimeLine Theater); The Choir of Man (Apollo Theater Chicago); Blues in the Night, Pump Boys and Dinettes, Nunsense (Porchlight Music Theatre). EDUCATION: BA, Loyola University Chicago.
Shakes in the City is made possible with support from Chicago Park District’s Night Out in the Parks, National Endowment for the Arts, Paul M. Angell Family Foundation, and Peoples Gas Community Fund.