Waiting for Godot

JAMES F. INGALLS’ previous credits with Druid include: Sive, King of the Castle, The Beauty Queen of Leenane, and DruidShakespeare. Other theater credits include: Hamlet (American Conservatory Theatre); Manahatta, Julius Caesar (Oregon Shakespeare Festival); and the US tour of Carmen de Lavallade’s As I Remember It. Designs for opera include: John Adams’ Nixon in China, The Death of Klinghoffer, El Niño, The Gospel According to the Other Mary; Kaija Saariaho’s L’Amour de Loin, Adriana Mater, La Passion de Simone, Only the Sound Remains (all directed by Peter Sellars); II Farnace and Kat’a Kabanova (directed by Garry Hynes, Spoleto Festival). Designs for dance credits include: Concertiana, The Beauty of Gray, Half Life (Paul Taylor’s American Modern Dance); Layla and Majnun, Mozart Dances, The Hard Nut, L’Allegro, il Penseroso ed il Moderator (Mark Morris Dance Group); Twyla Tharp’s 50th Anniversary US Tour; The Nutcracker (Pacific Northwest Ballet); The Nutcracker (San Francisco Ballet); The Nutcracker, Fairy’s Kiss (Miami City Ballet); Don Quixote (Dutch National Opera); The Sleeping Beauty (Teatro alla Scala Ballet, American Ballet Theatre); John Cranko’s Onegin (San Francisco Ballet, National Ballet of Canada, American Ballet Theatre); and Celts (choregraphed by Lila York). Mr. Ingalls trained at the Yale University School of Drama and the University of Connecticut. He often collaborates with the Wooden Floor dancers (Santa Ana, CA).

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