Being Shakespeare

Ben & Max Ringham's theatre credits include: She Stoops to Conquer (National Theatre); A Christmas Carol (Arts Theatre); The Ladykillers (Gielgud Theatre); Painkiller (Lyric, Belfast); My City (Almeida); American Trade (RSC); Little Eagles (RSC); Remembrance Day (Royal Court); Racing Demon (Sheffield Crucible); Hamlet (Sheffield Crucible); The Electric Hotel (Fuel Theatre); Les Parents Terribles (Donmar at Trafalgar Studios); Salomé (Headlong); Polar Bears (Donmar Warehouse); The Little Dog Laughed (Garrick); Three Days of Rain (Apollo, West End); The Rise and Fall of Little Voice (Vaudeville); An Enemy of the People (Sheffield Crucible); Really Old, Like Forty Five (National Theatre); The Pride (Royal Court); The Author (Royal Court); Phaedra (Donmar Warehouse); Piaf (Donmar, also Vaudeville/Buenos Aires); Branded (Old Vic Theatre); All About My Mother (Old Vic Theatre); Contains Violence (Lyric Hammersmith); The Lover/The Collection (Comedy); The Caretaker (Sheffield Crucible, also Tricycle, tour); Amato Saltone, What If...?, Tropicana, Dance Bear Dance, The Ballad of Bobby Francois (Shunt); The Pigeon (BAC); Henry IV parts I and II (National Theatre). Ben and Max were nominated for a Best Sound Design Olivier for Piaf and as part of the creative team accepted a Best Overall Achievement in an Affiliate Theatre Olivier Award for The Pride. Ben and Max are associate artists with the Shunt collective and two thirds of the band Superthriller.

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