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Larry Yando (Prince, Text Coach) returns to Chicago Shakespeare Theater where his credits include: Cymbeline, The Tempest, Timon of Athens, All’s Well That Ends Well, Antony and Cleopatra, The Merry Wives of Windsor, Henry IV Parts 1 and 2, Cymbeline, The Taming of the Shrew, King Lear and The Two Noble Kinsmen. Regional credits include: Scrooge in A Christmas Carol (Goodman Theatre); Travesties, Measure For Measure, The Importance of Being Earnest, An Ideal Husband (Court Theatre); All’s Well That Ends Well, Nixon’s Nixon, Bach at Leipzig, Rocket to the Moon (Writers’ Theatre); Mother Courage and Her Children (Steppenwolf); Titus Andronicus (Defiant Theatre); Angels in America, Amadeus, Arcadia (Milwaukee Repertory); I Hate Hamlet (Royal George Theatre) and Scar in The Lion King. |
Larry Yando (Prince, Mentor de la Dicción) regresa a Chicago Shakespeare Theater donde sus créditos incluyen: Cymbeline, The Tempest, Timon of Athens, All’s Well That Ends Well, Antony and Cleopatra, The Merry Wives of Windsor, Henry IV Parts 1 and 2,Cymbeline, The Taming of the Shrew, King Lear y The Two Noble Kinsmen. Créditos regionales incluyen: Scrooge en A Christmas Carol (Goodman Theatre); Travesties, Measure For Measure, The Importance of Being Earnest, An Ideal Husband (Court Theatre); All’s Well That Ends Well, Nixon’sNixon, Bach at Leipzig, Rocket to the Moon (Writers’ Theatre); Mother Courage and Her Children (Steppenwolf); Titus Andronicus (Defiant Theatre); Angels in America, Amadeus, Arcadia (Milwaukee Repertory); I Hate Hamlet (Royal George Theatre) y Scar en The Lion King. |
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