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by Alan Bennett
directed by Penny Metropulos

in Chicago Shakespeare’s Courtyard Theater
April 13 – June 12, 2011

“Highly recommended... Groener commands stage as ‘George III’ for the ages—he should not be missed!” –Chicago Sun-Times

A stellar production... Metropulos paces this piece masterfully and cast it superbly.” –Chicago Tribune

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Tony Award-winning British playwright Alan Bennett (The History Boys) has garnered worldwide acclaim as "arguably the best playwright in England" (The New York Times). This sharply witty, surprisingly heartfelt story chronicles the palace intrigue surrounding King George III's struggle to maintain political power, aided by the love of his devoted queen. The monarch's endearing exultations and fiery rage evoke an 18th-century King Lear. Celebrated director Penny Metropulos, who spent 19 seasons with the Oregon Shakespeare Festival, stages this marvelously intelligent masterpiece.

Approximate Running Time: 2 hours, 45 minutes (includes intermission)


The Madness of George III is supported, in part, by
The Elizabeth F. Cheney Foundation.

The Madness of George III is presented in the Jentes Family Auditorium.

The Madness of George III is set in London in 1788. King George has been on the throne for twenty-eight years; he and his beloved Queen Charlotte have fifteen children. William Pitt, a "Tory," a member of the political party that supports the King in particular and monarchy in general, is Prime Minister. His nemesis is Charles James Fox, who leads the Whigs, the party that seeks constantly to limit royal power. Pitt, Fox, and their supporters have been fighting each other for years before the play begins and will continue to do so for years after the twelve months or so portrayed in it are over.

George is still stinging from the loss of the American colonies in their War of Independence, which ended five years earlier.

The King has had mental and physical health problems off and on for some time. As evidence mounts that he is seriously ill—incessant ranting, and physical symptoms such as blue urine, among others—his monarchy begins to seem untenable. Pitt and the Tories fret about their loss of power, and everyone in Parliament jostles to be in the best position once the incapacity of the crown is established. George is eccentric, which makes it difficult to distinguish between mental illness and royal quirkiness. Pitt and Fox engage in an intense, high stakes Parliamentary battle over how and when the Crown's powers should be turned over the King's eldest son George, the Prince of Wales, who supports Fox.

The medical practices of the time border on the barbaric, and the King, whose condition worsens, is subjected to evermore horrible treatments. Just when the Parliament is about to vote for the Regency—in other words, for the Prince of Wales to be king in all but name—George III recovers, and his monarchy is saved, at least for the next decade or so.

Dramatis Personae

Recorded Excerpts from Talk Back Discussions 
Post-show discussions with the cast are held after Wednesday and student matinees. Recordings are updated throughout the run of the production.

 

Scholar's Perspective by Peter Kanelos 
Peter Kanelos considers how the reign of George III contributed to the erosion of the sanctity of kingship and the divinity of the body of the monarch.

 

What was the madness of King George?  
King George's court physicians couldn't agree on a diagnosis for the monarch, and it has remained a mystery to this day.

 

King George III: Mad or Misunderstood  
Read the BBC News article about scientists in 2004 who used a newly-discovered hair sample to diagnose King George III.

 

Open Door: Audience Enrichment Programs 
CST offers pre- or post-show programs with members of the cast or scholars: Pre•Ambles, Pub Cast Calls and Talk Backs.

 

Performance History  
Since its premiere in 1991, The Madness of George III has been performed around the world.

 

Check back for updates.

 

The Cast 
See who’s who among the actors.

 

The Creative Team 
See who’s who on the creative team—the director, designers and other artists who contribute to the creation of the world of the play.

 

About the Playwright
Read about how Alan Bennett, who originally intended to become a history professor, ended up being one of England's most prominent contemporary playwrights.

The Director Speaks
Watch a video of Director Penny Metropulos discussing her upcoming production of The Madness of George.

Scenic Design
Watch a video of Scenic Designer William Bloodgood sharing his inspirations for the set of The Madness of George.

 

About the Playwright
Read about how Alan Bennet, who originally intended to become a history professor, ended up being one of England's most prominent contemporary playwrights.

 

The Guardian on the real Alan Bennett 
Tim Adams talks to the playwright about his plays and explores why they become more autobiographical in recent years.

 

Check back for updates.

 

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