Chicago Shakespeare Theater - Black Watch 2011

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Production History

by Gregory Burke
directed by John Tiffany

at the Broadway Armory,
5917 N. Broadway, Chicago
March 29 – April 10, 2011

“ A feast of rich and finely detailed work...A show those with even a drop of Scottish blood in their veins should not miss!”
–Chicago Tribune

Recommended for audiences 13 years and older. The production contains very strong language, loud explosions and strobe lighting.

Hailed as a cultural landmark of the 21st century, Black Watch has received standing ovations and enjoyed sold-out performances everywhere it has appeared, garnering over 20 international awards along the way. Now Chicago theater-lovers can join the tens of thousands of people across three continents who have made this production the soaring international success it is today. Chicago’s Broadway Armory will create a dramatic military environment for this searing exploration of Scotland’s legendary regiment, as it hurls audience members into the frontline soldier’s experience through an astonishingly theatrical use of movement, music and song.

Approximate Running Time: 1 hour and 50 minutes (no intermission)

International programming at Chicago Shakespeare Theater
is supported, in part, by the Julius Frankel Foundation.

Hurtling from a pool room in Fife to an armored wagon in Iraq, Black Watch is based on interviews conducted by playwright Gregory Burke with former soldiers who served in Iraq. Viewed through the eyes of those on the ground, Black Watch reveals what it means to be part of the legendary Scottish regiment, what it means to be part of the war on terror and what it means to make the journey home again. John Tiffany’s production makes powerful and inventive use of movement, music and song to create a visceral, complex and urgent piece of theatre.

	A Front Line Perspective on Black Watch Foreign war correspondent David Pratt shares his reactions to Black Watch as someone who has been on the ground in wartime.
	Writer Gregory Burke on Black Watch Burke discusses Scotland’s pride in its military traditions, and explores the enduring appeal of regiments like the Black Watch.
	Director John Tiffany on Black Watch Tiffany reflects on the creative process that lead to the development of this critically acclaimed production.
	History of Chicago’s Broadway Armory Learn more about this unique landmark in Chicago’s Edgewater neighborhood where Black Watch will be performed.

	The Cast See who�s who among the actors.
	The Creative Team See who’s who on the creative team—including the designers and other artists who contribute to the creation of the world of the play.
	Interview with the Creative Team Director John Tiffany, writer Greg Burke and Associate Directors Steven Hoggett (movement) and Davey Anderson (music) discuss the the 2010 revival, and tell us why Black Watch is still relevant to audiences.

	Watch Video Trailer Get a sneak peek of the action on stage.
	The Cast in Training The new cast members discuss their first days in the rehearsal room as the award-winning show prepares for a major UK and international tour.
	The Cast in Rehearsal The cast members are put through their paces—literally—by Movement Director Stephen Hoggett as they prepare a series of physically challenging scenes.
	Making the Music of Black Watch Davey Anderson, Associate Director: Music, talks through his arrangements of traditional Scottish songs used in the production. Songs include Twa Recruiting Sergeants and The Gallant Forty-Twa.
	Building the Set The National Theatre of Scotland's Black Watch has been designed to tour the world and is flexible enough to fit into many different spaces—from major auditoriums like London's Barbican Centre to non-traditional theatre spaces like the Broadway Armory here in Chicago.
	Developing the world of Black Watch Davey Anderson (Associate Director, Music) and Steven Hoggett (Associate Director, Movement) discuss the process involved in putting Black Watch together.

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