Lord Cardinal Thomas Wolsey, now perhaps the richest man in the kingdom, is hated by England’s nobility. The low-born Wolsey remains the power behind the throne, and he wields it for his own gain. The Duke of Buckingham attempts to warn the king of Wolsey’s trespasses, but the Lord Cardinal strikes first, accusing Buckingham of placing himself as the rightful successor to the throne if Henry produces no heir; Buckingham is charged with high treason.

Queen Katherine is the first of the king’s six wives—and widow to Henry’s elder brother, who died in his adolescence. Through eight pregnancies, Katherine has given birth to only one child still living, Princess Mary. Henry fears that this marriage to a brother’s widow must exist against the will of heaven and, with Wolsey’s help, he looks to Rome to annul his twenty-year marriage. With his eye on the papacy for himself, Wolsey handpicks England’s future queen from France’s Catholic royal family, but Henry’s eye strays elsewhere—to the beauty of the English, and decidedly Protestant, Anne Boleyn, whom he first meets at Wolsey’s palace.

It appears that Wolsey’s power is limitless, until evidence of his unbounded ambition and double-dealings land back in Henry’s hands. The dissolution of a marriage—and a revolution within the Church—follow, along with a new bride and the birth of a princess named Elizabeth. Here, before an audience that knows well the story’s “real” ending, Henry VIII: All Is True draws to a close, revealing the nuances of history and myth—and the refusal of our experiences, memories and imaginative powers to be neatly categorized for long.

The Cast
See who's who among the actors.

The Creative Team
See who’s who on the creative team—the director, designers and other artists who contribute to the creation of the world of the play.

	Video Enjoy a glimpse of Chicago Shakespeare’s Henry VIII on stage.
	Photo Gallery Enjoy a glimpse of Chicago Shakespeare’s Henry VIII.
	Inside First Rehearsal Artistic Director Barbara Gaines speaks about Henry VIII.

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